Octopus II, 2026
Print : digigraphy · 50 x 75 x 2 cm 19.7 x 29.5 x 0.8 inch · Ready to hang
€160
160 €
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 19
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 30 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
digigraphy on canvas
Dimensions ( cm • inch )
50 x 75 x 2 cm 19.7 x 29.5 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2016 • Top Seller
Description
A monumental cephalopod takes over space. This creation merges the codes of Pop Art and Street Art. The marine silhouette becomes a dense graphic support.
The body is composed of an accumulation of lettering, logos, and urban motifs. Every square centimeter is saturated with bright colors. The line recalls the energy of graffiti and contemporary visual culture.
The contrast is marked between the deep blue background, evoking the abyss, and the almost electric brilliance of the creature. This composition plays on the tension between the natural world and the artificial aesthetic of the city.
The approach is playful and subversive. It transforms an organic animal into a pop visual archive. The precision of the rendering emphasizes the artist's technical mastery.
The work is a digigraph realized in 2026. It is part of an artistic approach where the imagination breaks free from classical rules. The result is a graphic piece rhythmic with meticulous details.
Presentation
Maxime Blachère is an atypical artist from Savoy, now living near Lyon and present in 25 countries and several art galleries in Europe and the US. Maxime Blachère's universe is filled with humor and saturated colors.
Self-taught and versatile, his sources of inspiration are multiple. Comics, pop culture, photography and of course Street-art.In phase with the Fluxus movement, he uses and mixes the codes of the environments that inspires him and of the artists he meets to give free rein to his imagination and deliver offbeat works, sometimes naive, sometimes subversive, like his series of works "Vandal is color" where Maxime takes pleasure in virtually vandalizing urban landscapes around the world.
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