Le Coq (1), 1992
Print : pigment ink, etching · 57 x 76 x 0.5 cm 22.4 x 29.9 x 0.2 inch
€300
300 €
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Shipped from: France
Delivery to: Germany Free delivery
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 79 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
57 x 76 x 0.5 cm 22.4 x 29.9 x 0.2 inch Height x Width x Depth
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Art gallery
Credentials
Vetted seller since 2026
Description
This abstract composition explores a dialogue between geometry and imagination. The gaze travels through a dreamlike landscape where organic forms and precise structures mingle. A bird silhouette crowns the space, dominating pyramidal volumes and terrestrial curves.
The work on material relies on the etching technique and the use of pigment inks. The play of textures creates a tactile depth, rhythmic by hatching and interlace. The ochre and blue tones interweave, evoking ancient sediments or old maps.
The artist here fuses their oriental and Western influences. Surrealism guides the staging of these enigmatic forms. Each line emphasizes a search for superposition and transparency.
Realized in 192, this print testifies to a rigorous technical mastery. It offers a poetic vision where the graphic line defines the space. The visual balance rests on the contrast between saturated areas of pigments and the precision of the engravings.
Presentation
Chahab was born in 1951 in Tehran, residing in France since 1974, he lives and works in Nay (Pyrénées-Atlantiques).
Graduated from the Arts décoratifs of Nice, and from the École des Beaux-Arts of Aix-en-Provence, student of Henri Goetz for carburum engraving technique.
Painter, engraver, and sculptor, he plays with registers of various materials and textures. Heir to a dual culture, he likes to evoke through the imagination the ancient sites of his native Iran and during his Western training, his attraction to surrealism leads him to recreate a teeming universe of forms and colors.
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