Aviv, 2024
Sébastien Vonier  

Sculpture : Sandstone · 45 x 25 x 15 cm 17.7 x 9.8 x 5.9 inch

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Verified Reviews : 9.6/10
About the artwork

Type

Sculpture : Unique artwork

Condition

Artwork sold in perfect condition

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Engraved signature

Technique & Support

Sandstone with wood pedestal

Display

The sculpture can be displayed outdoors

Dimensions ( cm • inch )

45 x 25 x 15 cm 17.7 x 9.8 x 5.9 inch Height x Width x Depth

Dimensions of pedestal:

2.2 x 24 x 19.5 cm 0.9 x 9.4 x 7.7 inch

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Description

These animal sculptures in clay are astonishing in their attitude, which is more human than animal. While geometric and minimalist forms have marked Sébastien Vonier's latest productions, this work is part of a series that deliberately breaks free from these codes by favoring the soft, slumped form. These anthropomorphic birds seem imbued with resignation; their legs are without resistance, subject to the law of gravity, stretching under their own weight. Their color and material evoke the sticky, malleable clay from which they are extracted.

From this almost human attitude arises the humor and derision characteristic of this series of birds, which seem to abandon themselves to uncertainty and anxiety. Sébastien Vonier places his sculptures high up, thus reversing the relationship between the viewer and the viewed. The names given to the pieces refer to pieces of music the artist listened to while working on their creation.

Animal

Wall sculpture

figurative

Anthropomorphism

Birds

Pop Culture

Animal Sculptures

Eco art

brown

France  • 1975

Presentation

Born in 1975 in Ploemeur. Lives and works in Bordeaux.

"Sébastien Vonier provokes shifts in techniques and materials often borrowed from industrial construction, references and territories resulting from a strange alliance of imagination and extreme reality. He thus continues to broaden his thinking on sculpture and refers as much to landscape, architecture and urban planning as to a floating, indecisive approach to decoration and design. He summons, brings together and articulates, in surprising propositions, the private and public spheres, the ground and the wall, the functional and the indeterminate, the conceptual demands of art and the design of the manufactured object. The challenge is the inscription in space through an experience of its energy, its presence and its fictional implications by maintaining a close relationship to the body and the human scale." Text by Didier Arnaudet, for the Forêt d'art contemporain

"Among Sébastien Vonier's works, many are undeniably sculptures, but they can also be viewed from a utilitarian perspective. They are based on the tension between two seemingly antithetical regimes: they point toward art and, simultaneously, recycle a functional rhetoric. [...]
Shifting is frequent in Sébastien Vonier's work: spatial reversal, shifting from architectural fragment to painting, from plan to volume, from sculpture to object or landscape. [...]"

Pierre Tillet, “Geographic, domestic, entropic. On the sculpture of Sébastien Vonier" (extract), 2012
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