Aviv, 2024
Sculpture : Sandstone · 45 x 25 x 15 cm 17.7 x 9.8 x 5.9 inch
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Verified Reviews : 9.6/10
About the artwork
Type
Sculpture : Unique artwork
Condition
Artwork sold in perfect condition
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Engraved signature
Display
The sculpture can be displayed outdoors
Dimensions ( cm • inch )
45 x 25 x 15 cm 17.7 x 9.8 x 5.9 inch Height x Width x Depth
Dimensions of pedestal:
2.2 x 24 x 19.5 cm 0.9 x 9.4 x 7.7 inch
Sold by
Art gallery
Credentials
Vetted seller since 2017 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
These animal sculptures in clay are astonishing in their attitude, which is more human than animal. While geometric and minimalist forms have marked Sébastien Vonier's latest productions, this work is part of a series that deliberately breaks free from these codes by favoring the soft, slumped form. These anthropomorphic birds seem imbued with resignation; their legs are without resistance, subject to the law of gravity, stretching under their own weight. Their color and material evoke the sticky, malleable clay from which they are extracted.
From this almost human attitude arises the humor and derision characteristic of this series of birds, which seem to abandon themselves to uncertainty and anxiety. Sébastien Vonier places his sculptures high up, thus reversing the relationship between the viewer and the viewed. The names given to the pieces refer to pieces of music the artist listened to while working on their creation.
Presentation
Born in 1975 in Ploemeur. Lives and works in Bordeaux.
"Sébastien Vonier provokes shifts in techniques and materials often borrowed from industrial construction, references and territories resulting from a strange alliance of imagination and extreme reality. He thus continues to broaden his thinking on sculpture and refers as much to landscape, architecture and urban planning as to a floating, indecisive approach to decoration and design. He summons, brings together and articulates, in surprising propositions, the private and public spheres, the ground and the wall, the functional and the indeterminate, the conceptual demands of art and the design of the manufactured object. The challenge is the inscription in space through an experience of its energy, its presence and its fictional implications by maintaining a close relationship to the body and the human scale." Text by Didier Arnaudet, for the Forêt d'art contemporain
"Among Sébastien Vonier's works, many are undeniably sculptures, but they can also be viewed from a utilitarian perspective. They are based on the tension between two seemingly antithetical regimes: they point toward art and, simultaneously, recycle a functional rhetoric. [...]
Shifting is frequent in Sébastien Vonier's work: spatial reversal, shifting from architectural fragment to painting, from plan to volume, from sculpture to object or landscape. [...]"
Pierre Tillet, “Geographic, domestic, entropic. On the sculpture of Sébastien Vonier" (extract), 2012
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