Human body
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They liked it at Dyffryn
Zena Blackwell
Painting - 135 x 66 x 3.5 cm Painting - 53.1 x 26 x 1.4 inch
$2,355
La dynamique des corps - Jours 02 - 04 - 05 - 08
La Robotte
Painting - 21 x 60 x 0.5 cm Painting - 8.3 x 23.6 x 0.2 inch
$447
Modern Lovers
Stéphane Gizard
Photography - 80 x 120 x 1 cm Photography - 31.5 x 47.2 x 0.4 inch
$3,349
Nude girl posing
Zakhar Shevchuk
Painting - 130 x 72 x 4 cm Painting - 51.2 x 28.3 x 1.6 inch
$2,679
Subvertir la lectura
Carmen González Castro
Painting - 65 x 92 x 2 cm Painting - 25.6 x 36.2 x 0.8 inch
$3,126
Abstrait nu N°10 - Blue
Aurélie Trabaud
Painting - 45.5 x 30.5 x 0.1 cm Painting - 17.9 x 12 x 0 inch
$876
Abstrait nu N°22-Picking some tulips
Aurélie Trabaud
Painting - 40 x 30 x 1 cm Painting - 15.7 x 11.8 x 0.4 inch
$1,027
Magic lines
Dmitry Savchenko
Photography - 50 x 35 x 1 cm Photography - 19.7 x 13.8 x 0.4 inch
$1,060
Perle II
Marie-Madeleine Vitrolles
Sculpture - 90 x 16 x 16 cm Sculpture - 35.4 x 6.3 x 6.3 inch
$1,619
Nu abstrait N°23 - Monstera palace Pièce N°5
Aurélie Trabaud
Painting - 45.5 x 30.5 x 0.1 cm Painting - 17.9 x 12 x 0 inch
$871
Farbiger Traum zart asiatisch
Wilfried Habrich
Painting - 83 x 60 x 0.1 cm Painting - 32.7 x 23.6 x 0 inch
$1,594
No22 SPIRIT Series
Yevgeniy Repiashenko
Photography - 100 x 100 x 2.5 cm Photography - 39.4 x 39.4 x 1 inch
$4,063
Bloom
Yevgeniy Repiashenko
Photography - 120 x 80 x 0.1 cm Photography - 47.2 x 31.5 x 0 inch
$2,925
Demi buste de femme de face 6
Hassan Laamirat
Sculpture - 75 x 43 x 15 cm Sculpture - 29.5 x 16.9 x 5.9 inch
$536
Flame
Yevgeniy Repiashenko
Photography - 120 x 120 x 0.1 cm Photography - 47.2 x 47.2 x 0 inch
$2,925
Pôle position
Petites Luxures
Fine Art Drawings - 29.7 x 21 cm Fine Art Drawings - 11.7 x 8.3 inch
$1,005
Emmeline and the butterfly
Ottelien Huckin
Painting - 32 x 24 x 1 cm Painting - 12.6 x 9.4 x 0.4 inch
$981
Marche des Méréides
Yevgeniy Repiashenko
Photography - 60 x 45 x 0.1 cm Photography - 23.6 x 17.7 x 0 inch
$876
D'un Monde à L'autre
Luo Li Rong
Sculpture - 72 x 50 x 30 cm Sculpture - 28.3 x 19.7 x 11.8 inch
$24,558
Anais
Yevgeniy Repiashenko
Photography - 120 x 80 x 0.1 cm Photography - 47.2 x 31.5 x 0 inch
$2,925
Life from wheels
Daniil Danailov
Sculpture - 70 x 40 x 32 cm Sculpture - 27.6 x 15.7 x 12.6 inch
$949
Panther Play
Yevgeniy Repiashenko
Photography - 120 x 120 x 0.1 cm Photography - 47.2 x 47.2 x 0 inch
$2,925
Le Minou
Yevgeniy Repiashenko
Photography - 120 x 80 x 0.1 cm Photography - 47.2 x 31.5 x 0 inch
$2,925
Birth of The Sun
Irakli (Akuna) Kavtaradze
Painting - 100 x 80 x 4 cm Painting - 39.4 x 31.5 x 1.6 inch
$2,456 $2,087
Il latte
Yevgeniy Repiashenko
Photography - 120 x 80 x 0.1 cm Photography - 47.2 x 31.5 x 0 inch
$2,925
La tête
Yevgeniy Repiashenko
Photography - 96 x 120 x 0.1 cm Photography - 37.8 x 47.2 x 0 inch
$2,925
Fish (a tribute to Magritte)
Rossella Mercedes
Fine Art Drawings - 29.7 x 42 x 0.1 cm Fine Art Drawings - 11.7 x 16.5 x 0 inch
$307
In my web
Rossella Mercedes
Fine Art Drawings - 42 x 29.7 x 0.1 cm Fine Art Drawings - 16.5 x 11.7 x 0 inch
$335
Treno
Rossella Mercedes
Fine Art Drawings - 42 x 29.7 x 0.1 cm Fine Art Drawings - 16.5 x 11.7 x 0 inch
$335
Puppet
Rossella Mercedes
Fine Art Drawings - 42 x 29.7 x 0.1 cm Fine Art Drawings - 16.5 x 11.7 x 0 inch
$335
Field of love
Rossella Mercedes
Fine Art Drawings - 29 x 42 x 0.1 cm Fine Art Drawings - 11.4 x 16.5 x 0 inch
$368
Nu III
Mirco Marcacci
Fine Art Drawings - 40 x 30 x 0.5 cm Fine Art Drawings - 15.7 x 11.8 x 0.2 inch
$993
Nu IV
Mirco Marcacci
Fine Art Drawings - 40 x 30 x 0.5 cm Fine Art Drawings - 15.7 x 11.8 x 0.2 inch
$993
Looking for the past
Stefan Hadzi Nikolov
Painting - 50 x 40 x 2 cm Painting - 19.7 x 15.7 x 0.8 inch
$1,619
Back and wig
Charlotte Yonga
Photography - 80 x 64 x 0.2 cm Photography - 31.5 x 25.2 x 0.1 inch
$2,456
My name is Red
Iwona Sacharczuk Ivet
Painting - 80 x 60 x 2 cm Painting - 31.5 x 23.6 x 0.8 inch
$1,674
An eye to magnetism, Painting, Oil on canvas
Adam Parsons
Painting - 61 x 61 x 3.8 cm Painting - 24 x 24 x 1.5 inch
$3,800
Human body
'I wanted to conquer the world. But I also desperately wanted to understand human nature, and to know what was inside our bodies. To do this, I have spent whole night dissecting bodies, against the direct orders of the Pope. Nothing disgusts me. What I am looking for, truly, in all of my work and particularly in my painting, what I have looked for all my life, is to understand the mystery that is human nature' – from the notebooks of Leonardo da Vinci in the 16th century.
At the time of writing these notes, da Vinci had already made greater understanding of the human body the primary objective of his investigations. Dissection and study were key to his development of a holistic knowledge of anatomy, which da Vinci believed was vital to the perfect rendering of the nude figures which he painted and drew.
Little by little, the traditional image of the human figure was uprooted and in its place new ways of interpreting the body developed. Contemporary artists relentlessly questioned the traditional codes of figure drawing, liberally reworking the representation of the body to create a new image that was dislocated, geometric, deformed and disfigured.
The body as an artistic subject is at once desired, fantasised, dreamt, transformed, deformed. For painters, photographers and sculptors alike the body represents a rite of passage in their artistic development. Many people say that they most appreciate the talents of an artists by way of their control over the complexity of the figure. For example, it's clear even in Matisse's later, more abstract collages that he had perfectly mastered the human form.
Representation of the body is fundamental to Western art: first and foremost because it suggests a representation of the self, and therefore affirms the artist's own existence and coexistence with the environment that surrounds them. At the beginning of art history, the only bodies represented were the gods, supernatural beings, and spirits who had taken on human form. The body, nude or clothed, is at once one of the most widely depicted and most deeply polemical subjects in Western art (think of the scandals provoked by Courbet's 'Origins of the World', or Renoir's 'Picnic on the Grass').
The body has always been the primary subject of an array of themes, and its history is rich and ancient. Initially, depiction of the body was closely linked to religion, where the Word became flesh in Genesis, but later in more secular times the arousal of the artist when faced with the body made for an equally popular theme. Latterly the notion of the body as an object of beauty was subverted by Cubism until depictions of bodies no longer bore any resemblance to reality or made any pretence of respecting the rules of proportion.
Finally, in modern art the body has taken on an abstract shape within space, becoming one with the environment. In some instances, the body has become the artist's own support, as with Klein's models. The body as an abstract concept is tangible in many different manifestations in art, even in pieces as unassuming as some of Rothko's paintings. It remains the subject of inexhaustible inspiration and eternal debate.