Diabolik à Paris, 2022
Sergio Ceccotti   Famous Artists

Painting : oil · 60 x 60 cm 23.6 x 23.6 inch · Ready to hang

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Verified Reviews : 9.6/10
About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

60 x 60 cm 23.6 x 23.6 inch Height x Width x Depth

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Vetted seller since 2015 • Top Seller

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This seller offers discount when you purchase multiple artworks.

Description

Diabolik is a character from the Italian comic strip of the same name, created in 1962 by the sisters Angela and Luciana Giussani. Sergio Ceccotti has included this criminal in his painting since the 1960s and has dedicated about twenty paintings to him. For the first time, he staged Diabolik in Paris, where he contemplates a diamond that he has just stolen. It is quite rare that Sergio Ceccotti's painting shows criminal acts.

Sergio Ceccotti, Diabolik à Paris
Italy  • 1935
136 followers

Presentation

Sergio Ceccotti is an Italian artist born in Rome in 1935. He lives and works in Rome.

Sergio Ceccotti is the painter of normality. Based on the banality of daily life, his pictorial fictions reveal paradoxes and fears of our time.

Many of his artworks are set in Rome or Paris, which offer real movie sets for his narrations. By subtle distortions of reality, Sergio Ceccotti highlights the unusual everyday life which lies in an overflow of banality or in the enigmatic presence of familiar objects. Full of allusions to comics, film noir, literary references, media coverage and photo romances, he instills doubt into the viewer's mind, trapped in a complex network of correspondences.

Influenced by the New Objectivity, the eerie atmospheres of Giorgio de Chirico and the American pop art, Sergio Ceccotti proposes an overall vision of heterogeneous aspects of rationalized metropolitan lives. Under his brushstroke, the most insignificant of objects can explode all our certainties.

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