Redemption: Monochromatic Oil Artwork with Subtle Blue & Lavender Hues | Textured Figure Study, 2020
Painting : oil · 50 x 50 x 3 cm 19.7 x 19.7 x 1.2 inch · Ready to hang
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
50 x 50 x 3 cm 19.7 x 19.7 x 1.2 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2024 • Top Seller
Description
The artwork "Redemption" conveys a poignant moment of vulnerability and self-discovery. The figure, seated in a private, introspective posture, adjusts her shirt—a simple act imbued with layers of meaning. Painted in a monochromatic palette with subtle accents of soft hues, the work masterfully blends realism with abstraction, allowing the viewer's imagination to fill in the emotional narrative.
The textured brushstrokes emphasize the rawness of the moment, with light cascading over the white fabric, symbolizing purity and renewal. The dark background contrasts sharply with the illuminated figure, evoking themes of inner struggle and the path toward healing. The obscured face draws attention to the universal nature of the experience, making the painting a mirror for personal reflection.
Through its subtle storytelling and evocative composition, "Redemption" invites the viewer to contemplate themes of transformation, acceptance, and the quiet strength found in moments of solitude.
Presentation
Dizlarka, the artistic name of Leah Larisa Bunshaft, is a multidisciplinary contemporary artist whose practice examines femininity, feminism, motherhood, vulnerability, identity, personal boundaries, and the social structures that shape women's lives.
Working across painting, drawing, photography, printmaking, sculpture, and installation, Dizlarka treats material as an active part of meaning. Textiles, glass, concrete, photographs, found objects, threads, masks, and domestic or bodily references create tensions between protection and exposure, beauty and pressure, fragility and resistance.
Much of her work begins with female experience. She is particularly interested in the roles women are expected to perform — caring, organizing, adapting, nurturing, remaining desirable, absorbing emotional labor — and in how these expectations can become so normalized that they are no longer seen.
Her project My Borders explores personal, psychological, bodily, and social boundaries through a predominantly red visual language. Female figures, threads, masks, heels, and symbolic objects become ways of examining control, autonomy, expectation, and self-definition.
Dizlarka's work does not present vulnerability as the opposite of strength. Instead, the two continually coexist. Personal experience becomes a starting point for questions that extend beyond autobiography: what do we carry because we choose to, and what have we simply been taught to carry?
Her work has been exhibited internationally in the United States and Europe, including presentations at MoRA Museum in New York and museum exhibitions in Italy.
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