Pharo di Camogli, 2019
Alain Abramatic  

Painting : oil, collage, sand · 55 x 33 x 2 cm 21.7 x 13 x 0.8 inch · Ready to hang

€790 790 €
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Shipped from: France

Delivery to: Spain , € 90

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

55 x 33 x 2 cm 21.7 x 13 x 0.8 inch Height x Width x Depth

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Credentials

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Description
In Faro di Camogli, the lighthouse on the Italian port's jetty rises amidst a space swept by winds and sea spray. More than a descriptive view, the work offers a dynamic interpretation of the site, where the white verticality of the tower contrasts with the oblique currents that sweep across the composition. Broad, linear, almost calligraphic gestures convey the circulation of air and atmospheric tension. Bluish and ochre masses blend in a continuous movement, suggesting rocks, sea, and bursts of foam without ever freezing them in detail. The material, enriched by collage and the integration of sand, gives certain areas a mineral density, reinforcing the sensation of a coastline battered by the elements. The lighthouse, firmly planted on the jetty, forms the structuring axis of the painting. Its presence orders the surrounding chaos and introduces stability within the movement. It does not dominate nature; it composes with it. Through this work, Alain explores the human impulse in the face of the power of natural forces. The lighthouse becomes a symbol of guidance and perseverance, affirming a human presence in an unstable space, where wind and sea constantly reshape the contours of the landscape.

Architecture

Seascape

Lighthouse

Beige

Alain Abramatic, Pharo di Camogli
France  • 1956

Presentation

Painting is a material and spiritual journey that I take around my first passions, mountains, water, sailing, sea and music. Since my beginnings in 1974, I have trained with other painters. First very inspired by the vibration of colors in the Impressionists and the Fauvists, I turned in the 80s to watercolor, whose transparencies I appreciate. 

 

Finally around the 2000s, I discovered contemporary painting and mixed techniques opening up the field of possibilities. Indeed, by preparing my paintings with collages of paper and sand, I create textures where the paint, very diluted in the manner of watercolors, reacts by drainage or by diffusion to leave its own mark. By the gesture, I print the energies. By the softness of the transparencies and the relationship to emptiness, I register my emotions. Each painting thus invites to a poetic journey.

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