Résonance du Vide, 2026
Fanny Marchand  

Painting : oil, acrylic · 101.6 x 76.2 x 2 cm 40 x 30 x 0.8 inch · Ready to hang

€5,120 5 120 €
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Shipped from: France

Delivery to: France , € 100

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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

101.6 x 76.2 x 2 cm 40 x 30 x 0.8 inch Height x Width x Depth

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Credentials

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Description

Instinct guides the brush in this abstract composition. The eye is immediately captivated by a large red structure. It crosses the canvas with force and directionality. This graphic form asserts itself on a background of nuanced tones.
The work relies on a play of marked contrasts. Blue and yellow projections bring an airy lightness. They dialogue with areas of denser shadows, almost mineral. The superposition of layers creates a tactile depth.
The artist explores here the spontaneity of the gesture. The mixing of techniques suggests a perpetual movement. Traces of rubbing and controlled drips are discernible. The balance plays between organized chaos and the precision of the line.
The support embraces an assumed primary palette. The off-white of the background illuminates the zones of chromatic tension. This acrylic painting is distinguished by its frank gesture and its visual intensity. The composition concludes with a precise technical detail, marked by fine projections and zones of deep saturation.

This work of great distinction extends the echo of the 'work "the original crossing". It captures the persistent and silent vibration that remains when the gesture has stopped, oscillating sensitively between presence and disappearance.

Fanny Marchand, Résonance du Vide
Canada

Presentation

Fanny Marchand is a Canadian-French painter based in Montreal, whose practice is within gestural and textured contemporary abstraction. Her work explores the tension, transformation, memory, and invisible forces that shape human journeys.

Through matter, gesture, superimpositions, and contrasts, she builds compositions where control and abandon, presence and effacement, force and vulnerability meet.

Nourished by her travels, multiculturalism, street art, as well as by the notions of imperfection and impermanence, her pictorial research develops an increasingly refined language, in which void, trace, and matter occupy a central place.

In 2026, she is continuing this evolution within the framework of individual coaching with the international artist Sébastien Cheramy, particularly deepening composition, gesture, formal reduction, and series coherence.

With a professional background of over twenty years in strategy and transformation, Fanny Marchand also approaches the development of her artistic career with a structured and long-term vision. Her positioning is intentionally within a professional approach aimed at the contemporary art market, with the ambition of developing lasting relationships with galleries, collectors, and investors, in Canada and internationally.

Her work has been exhibited in Quebec and is generating growing interest from galleries and private collectors, both in Canada and internationally.

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