Territoire sous pression, 2026
Fanny Marchand  

Painting : oil, acrylic · 121.9 x 91.4 x 2 cm 48 x 36 x 0.8 inch · Ready to hang

€6,620 6 620 €
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Shipped from: France

Delivery to: Germany , € 200

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

121.9 x 91.4 x 2 cm 48 x 36 x 0.8 inch Height x Width x Depth

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Credentials

Vetted seller since 2017 • Top Seller

Description

An abstract composition where matter dialogues with gesture. The gaze navigates between areas of light and dark masses. 
The execution mixes oil and acrylic to create complex superimpositions. Vertical white drips rhythmically mark the lower part of the painting. 
An orange stroke crosses the scene. It brings a sharp chromatic break within a set dominated by gray and white. 
The work explores the tension between control and abandon. Instinctive, almost urban traces are perceived, blending into a vaporous background. 
The painting plays on the contrasts of density. Some areas appear saturated while others leave room for emptiness. 
The fragile balance of the image evokes a transformation in progress. 
The work was created in 2026. It presents itself as a research on impermanence and trace. 
Lime green nuances punctuate the composition in the upper left and right.

This work bears the physical traces of constraint. Through a gestural and textured abstract practice, it materializes the inner tensions that shape and mold our intimate territory in the face of external pressures.

Fanny Marchand, Territoire sous pression
Canada

Presentation

Fanny Marchand is a Canadian-French painter based in Montreal, whose practice is within gestural and textured contemporary abstraction. Her work explores the tension, transformation, memory, and invisible forces that shape human journeys.

Through matter, gesture, superimpositions, and contrasts, she builds compositions where control and abandon, presence and effacement, force and vulnerability meet.

Nourished by her travels, multiculturalism, street art, as well as by the notions of imperfection and impermanence, her pictorial research develops an increasingly refined language, in which void, trace, and matter occupy a central place.

In 2026, she is continuing this evolution within the framework of individual coaching with the international artist Sébastien Cheramy, particularly deepening composition, gesture, formal reduction, and series coherence.

With a professional background of over twenty years in strategy and transformation, Fanny Marchand also approaches the development of her artistic career with a structured and long-term vision. Her positioning is intentionally within a professional approach aimed at the contemporary art market, with the ambition of developing lasting relationships with galleries, collectors, and investors, in Canada and internationally.

Her work has been exhibited in Quebec and is generating growing interest from galleries and private collectors, both in Canada and internationally.

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