Champ d'impact, 2026
Fanny Marchand  

Painting : oil, acrylic · 101.6 x 76.2 x 2 cm 40 x 30 x 0.8 inch · Ready to hang

€5,120 5 120 €
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Shipped from: France

Delivery to: Germany , € 200

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

101.6 x 76.2 x 2 cm 40 x 30 x 0.8 inch Height x Width x Depth

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Credentials

Vetted seller since 2017 • Top Seller

Description

An abstract composition where movement prevails. The eye is immediately drawn to a dominant circular form. This circle evokes a star or a dark vortex. 
The palette is limited to shades of white, gray, and black. The artist plays with contrasts to create striking depth. 
The technique mixes oil and acrylic. These two media intertwine to vary the textures. Vertical drips are observed that break the roundness of the subject. 
The gesture is free and spontaneous. Paint splatters and quick strokes energize the white space of the background. 
The whole suggests a tension between order and chaos. The light seems to emanate from the center of the spiral, contrasting with the denser areas of shadow. 
This is a contemporary piece created in 2026. The visual balance rests on the opposition between the precision of the circle and the looseness of the dripping paint effects.

This is the direct testimony of the transformation in action and the enacted passage from one emotional or inner state to another.

Abstract

Abstract art

Beige

Black

Fanny Marchand, Champ d'impact
Canada

Presentation

Fanny Marchand is a Canadian-French painter based in Montreal, whose practice is within gestural and textured contemporary abstraction. Her work explores the tension, transformation, memory, and invisible forces that shape human journeys.

Through matter, gesture, superimpositions, and contrasts, she builds compositions where control and abandon, presence and effacement, force and vulnerability meet.

Nourished by her travels, multiculturalism, street art, as well as by the notions of imperfection and impermanence, her pictorial research develops an increasingly refined language, in which void, trace, and matter occupy a central place.

In 2026, she is continuing this evolution within the framework of individual coaching with the international artist Sébastien Cheramy, particularly deepening composition, gesture, formal reduction, and series coherence.

With a professional background of over twenty years in strategy and transformation, Fanny Marchand also approaches the development of her artistic career with a structured and long-term vision. Her positioning is intentionally within a professional approach aimed at the contemporary art market, with the ambition of developing lasting relationships with galleries, collectors, and investors, in Canada and internationally.

Her work has been exhibited in Quebec and is generating growing interest from galleries and private collectors, both in Canada and internationally.

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