Point de bascule, 2026
Painting : oil, acrylic · 101.6 x 76.2 x 2 cm 40 x 30 x 0.8 inch · Ready to hang
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 700
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
101.6 x 76.2 x 2 cm 40 x 30 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2017 • Top Seller
Description
This abstract composition plays on the balance between control and abandon. The gaze is first captivated by a dense circular form. This dark center seems to pulse, surrounded by shades of gray and white.
The pictorial gesture is expressed with frankness. Vertical white drips come to break the structure. They bring a sensation of fluidity and spontaneity. The contrast between saturated areas and empty spaces creates an atmospheric depth.
The artist uses a mixture of oil and acrylic to work the material. The superposition of layers evokes memory and the traces of time. The influence of street art is felt in the precision of the contrasts and the dynamism of the line.
The whole exudes a contemplative serenity despite the force of the movement. It is a search for impermanence and invisible forces. The monochrome palette emphasizes the rigor of the composition. This work created in 2026 stands out for its gestural approach and its play of textures.
This canvas captures the precise moment of emotional wavering. It accumulates energy through gestural traces, drips, and superpositions of a raw and organic material in shades of black, gray, and mineral green, just before the release.
Presentation
Fanny Marchand is a Canadian-French painter based in Montreal, whose practice is within gestural and textured contemporary abstraction. Her work explores the tension, transformation, memory, and invisible forces that shape human journeys.
Through matter, gesture, superimpositions, and contrasts, she builds compositions where control and abandon, presence and effacement, force and vulnerability meet.
Nourished by her travels, multiculturalism, street art, as well as by the notions of imperfection and impermanence, her pictorial research develops an increasingly refined language, in which void, trace, and matter occupy a central place.
In 2026, she is continuing this evolution within the framework of individual coaching with the international artist Sébastien Cheramy, particularly deepening composition, gesture, formal reduction, and series coherence.
With a professional background of over twenty years in strategy and transformation, Fanny Marchand also approaches the development of her artistic career with a structured and long-term vision. Her positioning is intentionally within a professional approach aimed at the contemporary art market, with the ambition of developing lasting relationships with galleries, collectors, and investors, in Canada and internationally.
Her work has been exhibited in Quebec and is generating growing interest from galleries and private collectors, both in Canada and internationally.
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