Fern's time, 2026
Gabriela Aleksandra Szuba  

Painting : acrylic, chalk, marble, sand, Pigments, mixed media · 150 x 150 x 4 cm 59.1 x 59.1 x 1.6 inch · Ready to hang

€7,000 7 000 €

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Shipped from: Italy

Delivery to: Germany , € 400

Estimated delivery: Two to three weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Dimensions ( cm • inch )

150 x 150 x 4 cm 59.1 x 59.1 x 1.6 inch Height x Width x Depth

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Credentials

Vetted seller since 2025

Description

Deep olive tones dominate this evocative composition. The surface feels ancient. It mimics the texture of weathered stone or oxidized metal. Layers of acrylic and crackle paste create a tactile landscape. Each fissure tells a story. These fractures act as spiritual scars. They reveal the vulnerability hidden beneath a resilient exterior. 
The palette remains restrained. Mossy greens blend with muted earths. Occasional glints of light break through the density. This contrast creates a meditative tension. It is a dialogue between stillness and movement. The artwork does not seek to represent a physical place. Instead, it evokes an internal state. It transforms material into emotion. 
The application of pigments adds organic depth. The composition possesses a rhythmic quality. It draws the viewer into a silent, contemplative space. Every imperfection becomes a source of strength. The gaze wanders through the textured terrain. It discovers fragmented shapes and suspended shadows. The final result is a secular prayer captured in paint. It balances the heaviness of matter with a sense of ethereal lightness.

Gabriela Aleksandra Szuba, Fern's time
Italy  • 1974

Presentation

Gabriela Aleksandra Szuba, known as GAS, is a Polish artist based in Italy. With an academic background in economics, she later embraced an autonomous artistic journey, driven by a deep spiritual search and the desire to give form to the unseen.

Her work emerges from silence and unfolds as a meditative act. Using acrylics, crackle paste, pigments and gold leaf, GAS crafts vibrant, textured surfaces where every fracture holds memory and every layer becomes emotional terrain. The material becomes time, the crack a scar, and the gold a glimmer of sacred presence.

Her paintings do not depict; they evoke. Cracks speak of vulnerability and strength, of a holiness revealed through imperfection. Her palette — deep, restrained, at times dramatic — opens contemplative spaces, poised between tension and stillness, body and spirit.

Each title is a threshold: a symbolic entry into a suspended realm where visual language becomes meditation, a secular prayer, a passage through the invisible.

Her works have been exhibited in Italy, Switzerland, Argentina, and the United Kingdom, in spaces dedicated to contemporary research and the dialogue between artistic languages. For GAS, every exhibition is a natural extension of the creative process — a moment of shared introspection.

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