Les Parisiennes 2, 1974
Photography : pigment ink, HD print, fine art print · 18 x 27 x 0.1 cm 7.1 x 10.6 x 0 inch
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Shipped from: France
Delivery to: United States , $ 14
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Photography : numbered and limited to 30 copies
29 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
18 x 27 x 0.1 cm 7.1 x 10.6 x 0 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2024
Description
This striking black and white work, captured by photographer Philippe Grincourt, embodies a moment frozen in time, imbued with curiosity and surprise. The scene takes place outdoors, in front of an imposing building in a classic architectural style, in Paris. It is distinguished by the diversity of human expressions, offering a rich range of reactions to the extraordinary ceremony of the burial of the French President of the Republic, Georges Pompidou in Notre-Dame de Paris cathedral. In the foreground, a group of women, whose attention is entirely captivated, immediately catches the eye. Their amazement and concentration are accentuated by the presence of binoculars and cameras, meaning that a visual element off-camera arouses their fascination. Their clothes, typical of the 1960s and 1970s, bring a touch of nostalgia and frame the historical context of the scene. The background also reveals a multitude of spectators, men and women, embedded in the architecture of the city. Some perch on structures, seeking a better view, while others, arms crossed or cameras in hand, observe with palpable intensity. The balance between the different positions of the spectators shows a carefully orchestrated composition, where each individual contributes to the collective dynamic of the scene. The contrasts of light and shadow enrich the texture of the image, highlighting the grain of the film and accentuating the details of facial expressions and clothing. This aesthetic choice reinforces the timeless aspect of the work and firmly anchors the viewer in the raw reality of the moment. The visual and emotional impact of this photograph lies in its ability to capture the essence of humanity in a single moment, celebrating both collective curiosity and individuality of reactions. The photographer's eye, attentive and empathetic, manages to transform an ordinary scene into a universal work of art, testifying to the power of photography to reveal the subtleties of the human experience.
Presentation
Philippe Grincourt was born in France in 1952. He lives in Brittany.
He worked in Paris as an expert in transport and logistics. Over the years, he has produced reports in North Africa, the United States, street photography, documentary photography on a religious procession photographed over 20 years or his work on the memory of the battlefields of the Sum of the war of 14-18.
Today an author-photographer, he is a very promising emerging photographer with his work on Breton landscapes.
He was able to give birth to an obvious graphic design by capturing in his viewfinder the mineral elegance of all these granites subjected to the breaking waves, whose scarlet whiteness contrasts with the very well perceived blackness of the clouds which justify them. The quality of the blacks and whites and the perfectly balanced grays constitute the profusion of this pictorial density in exemplary prints. He is a master in the art of making “tableaux vivants” out of his photographs. Alain Mingam (Winner and former President of the World Press Photo Contest)
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