Campo Santo, 2014
Photography : archival pigment print · 42 x 60 x 0.1 cm 16.5 x 23.6 x 0 inch
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Shipped from: United Kingdom
Delivery to: United States , $ 103
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Photography : numbered and limited to 25 copies
3 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
42 x 60 x 0.1 cm 16.5 x 23.6 x 0 inch Height x Width x Depth
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Art gallery
Credentials
Vetted seller since 2021
Description
A dense sea of figures fills a hillside cemetery. This black and white archival pigment print captures a moment of collective remembrance. The composition is overwhelming. It pushes the viewer into a crowded landscape of grief and tradition. Small monuments and crosses emerge from the throng of mourners. The monochromatic palette emphasizes the timeless nature of the ritual. Every figure blends into a textured tapestry of human presence. There is a profound sense of endurance in the scene. The artist uses a documentary approach to explore the intersection of identity and memory. The scale of the gathering suggests a shared cultural bond. This artwork transforms a private act of mourning into a public statement of resilience. The gaze is wide and observational. It records the rhythmic patterns of a community honoring its ancestors. Light filters softly across the graves and the gathered crowd. The image lingers on the quiet tension between the living and the dead. Precise details reveal the fabric of the clothing and the weathered stone of the tombs.
Presentation
Maria Daniel Balcazar is a Bolivian documentary and fine art photographer who specialises in long-term photographic essays about migration, cultural traditions and identity. Her projects often explore syncretism, resilience and the ways communities preserve and remake their heritage over time.
She studied fine arts in Bolivia and Sweden, and later worked in social communication, journalism and photography. Her work has been exhibited internationally in galleries, universities and museums across Latin America and the United States.
She has published books including 'Kilombo' and 'Herederos del Alba'. Her projects include 'Custodios Invisibles' and 'Matices de Tu Mirada' a visual narrative on Julia de Burgos.
Her photography is known for combining documentary observation with a strong interest in memory, ritual and cultural survival.
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