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Man Ray A l'Heure de l'Observatoire - Les Amoureux , 1970

Man Ray, A l'Heure de l'Observatoire - Les Amoureux
Man Ray, A l'Heure de l'Observatoire - Les Amoureux
Man Ray, A l'Heure de l'Observatoire - Les Amoureux
Man Ray, A l'Heure de l'Observatoire - Les Amoureux
Man Ray, A l'Heure de l'Observatoire - Les Amoureux
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The artwork is available for pickup from the gallery in Paris, France

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About the seller
Galerie Hus

Paris, France

Artsper seller since 2015
595 orders finalized
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Man Ray, A l'Heure de l'Observatoire - Les Amoureux
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About the work

  • Medium

    Print : lithography, etching

  • Dimensions cm | inch

    26.8 x 40.9 inch

  • Support

    Print on paper

  • Framing

    Not framed

  • Type

    Numbered and limited to 150 copies
    1 remaining copy

  • Authenticity

    Work sold with an invoice from the gallery
    and a certificate of authenticity

  • Signature

    Hand-signed by artist

  • About the artwork

    Artwork sold in perfect condition

    Original lithograph in colors, 1970, very nice proof signed and numbered 69/150 from an edition of 150 copies.
    Dimensions of the lithograph: 35 X 90 cm.
    Size of the paper: 68 X 104 cm.
    References catalog Anselmino n°15.
    Mint condition, the most beautiful and the most sought of Man Ray prints.
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Origin: France
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Artist
Tags:

mouth

dada

surrealism

Man Ray
The United States Born in: 1890 Masterpieces

Man Ray, born Emmanuel Rudnitsky in Philadelphia, 1890. He was initially enrolled in architecture before devoting himself entirely to art.

After beginning an advertising career in New York, 1912, he rubbed shoulders with avant-garde artist Marcel Duchamp. Man Ray's artistic production fluctuated between painting and photography. He attempted to create an American branch in 1915 of the Dada movement with Marcel Duchamp, but it was unsuccessful and Man Ray gave up the idea in 1920, stating that the movement can't exist in New York.

Man Ray arrived in Paris, joining the French Dada movement with Duchamp in 1921. He presented his initial "Ready Made" after a few trials painted with a spray gun, but he eventually turned towards photography as he found this medium to be the most interesting for his artistic research. Man Ray often took photos of famous people such as Jean Cocteau and James Joyce.

Man Ray revolutionized photography for over thirty years and completed the nude series of Meret Oppenheim. Upon discovered the solarization technique, Man Ray managed to develop his artistic approach, by adding a kind of a halo around the characters, each of them positioned in a surrealistic manner.

Throughout his life, Man Ray continued his photography work, but he also expressed himself through painting, assembling and collage. In 1976, he died in Paris and was buried at the Montparnasse cemetery. The inscription reads, "Unconcerned, but not indifferent", on his tombstone. Man Ray became one of the greatest artists of the dada and surrealist period by revolutionizing global photography.

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Man Ray, A l'Heure de l'Observatoire - Les Amoureux
Man Ray, A l'Heure de l'Observatoire - Les Amoureux Man Ray, A l'Heure de l'Observatoire - Les Amoureux Man Ray, A l'Heure de l'Observatoire - Les Amoureux Man Ray, A l'Heure de l'Observatoire - Les Amoureux Man Ray, A l'Heure de l'Observatoire - Les Amoureux