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Le Doute, 2019

Richard Saint-Amans

Sculpture : wood, neon, resin, glass, gold leaf, aluminium, assemblage 114.2 x 86.6 x 98.4 inch

$17,670

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About the artwork

Artwork sold in perfect condition

"The Doubt" is a free allegory of the ascent of the steps of the Stations of the Cross Installation completed in 2019 Dimensions: HT 2.90m X Floor area 2.50 X 2.20m Total weight ready to ship: 95kg Materials: Old oak beam (150 years) with traces of gold leaf Small surgical equipment, glass, tubes, nails in a transparent resin Inclusion Scientific investigation accessories Aluminum tubing Neons and lamps. 3D crystal plexiglass frames Wooden base. Customized shipping crate and assembly instructions for exhibition. The work can be collected directly from the artist's studio in the Paris region. Please contact Artsper for any further information.
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About the seller
POULPIK GALLERY • Sofia, Bulgaria

Artsper seller since 2017

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Medium
Sculpture: wood, neon, resin, glass, gold leaf, aluminium, assemblage
Dimensions cm inch
114.2 x 86.6 x 98.4 inch
Support
Sculpture sold with steel pedestal
Dimensions of pedestal:

98.4 x 86.6 x 0.4 inch

Display
The sculpture cannot be displayed outdoors
Type
Unique work
Authenticity
Work sold with an invoice from the gallery and a certificate of authenticity
Signature
Hand-signed by artist
Colors

brown

Tags

Installation

Themes

Worldwide delivery

The artwork is available for pickup from the gallery in Paris, France or can be delivered to the address of your choice within 2 to 3 weeks after validation of your order. The work is insured during transport, so it's risk-free.
Origin: France Find out more about delivery

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Richard Saint-Amans

Richard Saint-Amans

France • Born in: 1949

Abstract Street Art

Sculptors Artists

Painters

Printmakers Artists

Draughtsmen Artists

French artists

Richard Saint-Amans is a French artist born in 1949 in Béziers. he lives and works near Versailles.

Although he has attended art courses in prestigious schools, Richard Saint-Amans defines himself as an autodidact. His artistic debut as a teenager took him to photography, which he turned aside to create hybrid prints, the preconceptions of which are already being worked on.

Arrive painting. His taste for American hyperrealism, Flemish primitives, his background as a photographer naturally takes him to a hyperrealist figuration. He then works on the issue of transparency and glazing in a demanding technical exploration.

He ends up feeling cramped in this approach and the concomitant discovery of Japan confirms the abandonment of this path. By freeing himself from the constraints of the technique, he refocuses himself on the line, concentrating on gestures in a quasi-calligraphic approach.

Inspired by Hans Hartung, he is interested in signs, traces and other bits of memory left on the walls.

Mixing of supports and hybridization still between text and pictorial work. Thus, most of the numbers he walked away the sandstone of his inner paths, he comes to superimpose signs, substrates of an almost forgotten writing, producing abstract compositions, stripping, purifying his line for ever closer of the essence of the gesture, calligraphing the painting in a way.

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