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Richard Saint-Amans Le Doute, 2019

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The artwork is available for pickup from the gallery in Paris, France

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About the seller

Professional art gallery

Sofia, Bulgaria

Artsper seller since 2017
924 orders finalized
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About the work
  • Medium

    Sculpture : wood, neon, resin, glass, gold leaf, aluminium, assemblage

  • Dimensions cm | inch

    114.2 x 86.6 x 98.4 inch

  • Support

    Sculpture sold with steel pedestal
    Dimensions of pedestal: 98.4 x 86.6 x 0.4 inch

  • Display

    The sculpture cannot be displayed outdoors

  • Type

    Unique work

  • Authenticity

    Work sold with an invoice from the gallery
    and a certificate of authenticity

  • Signature

    Hand-signed by artist

  • About the artwork

    Artwork sold in perfect condition

    "The Doubt" is a free allegory of the ascent of the steps of the Stations of the Cross

    Installation completed in 2019
    Dimensions: HT 2.90m X Floor area 2.50 X 2.20m
    Total weight ready to ship: 95kg

    Materials: Old oak beam (150 years) with traces of gold leaf
    Small surgical equipment, glass, tubes, nails in a transparent resin Inclusion
    Scientific investigation accessories
    Aluminum tubing
    Neons and lamps.
    3D crystal plexiglass frames
    Wooden base.
    Customized shipping crate and assembly instructions for exhibition.

    The work can be collected directly from the artist's studio in the Paris region.

    Please contact Artsper for any further information.
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Artsper's galleries deliver artworks worldwide, and using specialized carriers. The artwork is available for pickup from the gallery in Paris, France or can be delivered to the address of your choice within 2 to 3 weeks after validation of your order. The work is insured during transport, so it's risk-free.
Origin: France
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Richard Saint-Amans

France Born in: 1949 Bestsellers

Richard Saint-Amans is a French artist born in 1949 in Béziers. he lives and works near Versailles.

Although he has attended art courses in prestigious schools, Richard Saint-Amans defines himself as an autodidact. His artistic debut as a teenager took him to photography, which he turned aside to create hybrid prints, the preconceptions of which are already being worked on.

Arrive painting. His taste for American hyperrealism, Flemish primitives, his background as a photographer naturally takes him to a hyperrealist figuration. He then works on the issue of transparency and glazing in a demanding technical exploration.

He ends up feeling cramped in this approach and the concomitant discovery of Japan confirms the abandonment of this path. By freeing himself from the constraints of the technique, he refocuses himself on the line, concentrating on gestures in a quasi-calligraphic approach.

Inspired by Hans Hartung, he is interested in signs, traces and other bits of memory left on the walls.

Mixing of supports and hybridization still between text and pictorial work. Thus, most of the numbers he walked away the sandstone of his inner paths, he comes to superimpose signs, substrates of an almost forgotten writing, producing abstract compositions, stripping, purifying his line for ever closer of the essence of the gesture, calligraphing the painting in a way.

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Richard Saint-Amans, Le Doute
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