Paris, 2018
Dean Tavoularis  

Painting : acrylic · 41 x 33 x 1 cm 16.1 x 13 x 0.4 inch

€4,000 4 000 €

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Shipped from: France

Delivery to: Germany , € 150

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

41 x 33 x 1 cm 16.1 x 13 x 0.4 inch Height x Width x Depth

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Credentials

Vetted seller since 2016 • Top Seller

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Description

The featured work is a bold and visually intriguing geometric composition. Its clean lines and angular shapes immediately capture the attention. Blocks of bright colors – yellow, red, blue and white – intertwine and stack to create an abstract and dynamic architectural structure. The artist uses a vibrant, contrasting primary color palette, evoking a sense of movement and energy. The pale blue background contrasts perfectly with the warm, saturated tones of the shapes, adding extra depth to the piece. Each color appears to have been carefully chosen and positioned to create a harmonious visual balance, while maintaining dynamic tension between the different parts of the work. The varied dimensions of the rectangles and squares, as well as their overlap, create a captivating perspective, giving a three-dimensional impression that draws the viewer's eye. The rudimentary aspect of the composition is reminiscent of modernism and constructivism, where formal simplicity is exalted to explore larger concepts like space, shape and color. The geometric rigidity of the work contrasts with the implicit fluidity of the transitions of colors and shapes, creating a fascinating symbiosis between stability and dynamism. In short, this work is a wonderful demonstration of the mastery of geometric abstraction, a visual dialogue between form and color that remains unforgettable and striking.

Dean Tavoularis, Paris
United States  • 1932

Presentation

In the tradition of great production designers (Alexandre Trauner, Ken Adam), Dean Tavoularis has discreetly established himself in the history of cinema, leaving his mark on around thirty films, including almost the entire work of Francis F. Coppola.
Trained at Disney (Lady and the Tramp, Mary Poppins), this son of Greek immigrants, settled in California, took drawing and architecture classes, before materializing the plans of Arthur Penn (Bonnie and Clyde, Little Big Man) and Michelangelo Antonioni (Zabriskie Point). Each of his shoots requires long hours of location scouting and documentary research, his secret for defining the opaque atmosphere of The Godfather or the humidity of Apocalypse Now, the misty exteriors of Hammett by Wim Wenders or the coquettish interiors of Carnage, his last film, directed by Roman Polanski in 2011. Since then, in Paris where he lives with the actress Aurore Clément, Dean Tavoularis paints canvases which he exhibits alongside the storyboards of his brother Alex, the very ones which were used studying the settings of his films.

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