Paris, 2018
Painting : acrylic · 41 x 33 x 1 cm 16.1 x 13 x 0.4 inch
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 150
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
41 x 33 x 1 cm 16.1 x 13 x 0.4 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2016 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
The featured work is a bold and visually intriguing geometric composition. Its clean lines and angular shapes immediately capture the attention. Blocks of bright colors – yellow, red, blue and white – intertwine and stack to create an abstract and dynamic architectural structure. The artist uses a vibrant, contrasting primary color palette, evoking a sense of movement and energy. The pale blue background contrasts perfectly with the warm, saturated tones of the shapes, adding extra depth to the piece. Each color appears to have been carefully chosen and positioned to create a harmonious visual balance, while maintaining dynamic tension between the different parts of the work. The varied dimensions of the rectangles and squares, as well as their overlap, create a captivating perspective, giving a three-dimensional impression that draws the viewer's eye. The rudimentary aspect of the composition is reminiscent of modernism and constructivism, where formal simplicity is exalted to explore larger concepts like space, shape and color. The geometric rigidity of the work contrasts with the implicit fluidity of the transitions of colors and shapes, creating a fascinating symbiosis between stability and dynamism. In short, this work is a wonderful demonstration of the mastery of geometric abstraction, a visual dialogue between form and color that remains unforgettable and striking.
Presentation
In the tradition of great production designers (Alexandre Trauner, Ken Adam), Dean Tavoularis has discreetly established himself in the history of cinema, leaving his mark on around thirty films, including almost the entire work of Francis F. Coppola.
Trained at Disney (Lady and the Tramp, Mary Poppins), this son of Greek immigrants, settled in California, took drawing and architecture classes, before materializing the plans of Arthur Penn (Bonnie and Clyde, Little Big Man) and Michelangelo Antonioni (Zabriskie Point). Each of his shoots requires long hours of location scouting and documentary research, his secret for defining the opaque atmosphere of The Godfather or the humidity of Apocalypse Now, the misty exteriors of Hammett by Wim Wenders or the coquettish interiors of Carnage, his last film, directed by Roman Polanski in 2011. Since then, in Paris where he lives with the actress Aurore Clément, Dean Tavoularis paints canvases which he exhibits alongside the storyboards of his brother Alex, the very ones which were used studying the settings of his films.
Reviews from our customers
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