Symur, 2023
Léo Souton   New & remarkable Artists

Sculpture : wood, stone, assemblage · 112 x 12 x 12 cm 44.1 x 4.7 x 4.7 inch

€1,600 1 600 €

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Shipped from: France

Delivery to: Germany , € 102

Estimated delivery: Four to five weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Sculpture : Unique artwork

Condition

Artwork sold in perfect condition

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

wood , stone , assemblage , without pedestal

Dimensions ( cm • inch )

112 x 12 x 12 cm 44.1 x 4.7 x 4.7 inch Height x Width x Depth

Sold by

Independent artist

Credentials

Vetted seller since 2026

Description

Sculpture in turned wood and white granite. The black section is burned and then varnished to preserve the pine grain. The other section, made of beech, is painted green. The layering of these three elements creates a figure reminiscent of a silhouette or a flower.

Materials: White granite, solid charred wood (pine) and solid wood painted green (beech).

Abstract

Abstract art

Recycling

Black

Presentation

Léo Souton was born in 1997. After studying Biology and taking a gap year in Australia, he turned to architecture. He graduated from ENSA Paris-Belleville in 2024 and now lives and works between Paris and the Lozère region. Emphasizing formal freedom, Léo Souton seeks to question our relationship to the materials we use.

Nourished by his experiences, he shapes a sculptural language where a wide diversity of techniques and materials intersect. From this richness emerge hybrid entities with forms that are both geometric and organic, as if from another reality. In reaction to the excesses of the consumer system and its effects on living beings, Léo recovers discarded materials and objects, giving them new life in sculptures—"entities" that reinvent the link between humankind and what it considers "the rest."

Exploring innovative assembly techniques, he invites us into a reinvented imagination, offering a new form of beauty to elements considered unusable. He gives his sculptures postures that allow them to observe us, to challenge us, and perhaps even seduce us. Thus, each sculpture is accompanied by a narrative designed to engage us, to transcend the anthropocentric view of the world, and to offer matter a chance for redemption.

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