Within the framework of: Mixed Media Assemblage with Blood-Stained Hands and Doll in Crimson and Off-White, 2026
Sculpture : oil, acrylic, object · 24.5 x 34.5 x 18 cm 9.6 x 13.6 x 7.1 inch
€344
344 €
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Shipped from: United States
Delivery to: France , € 53
Estimated delivery: Three to four weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Sculpture : Unique artwork
Condition
Artwork sold in perfect condition
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
24.5 x 34.5 x 18 cm 9.6 x 13.6 x 7.1 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2024 • Top Seller
Description
Within the framework of: Contemporary Mixed Media Assemblage
Acquire a truly distinctive piece with "Within the framework of" (24.5 x 34.5 x 18 cm / 9.6 x 13.6 x 7.1 in), a captivating mixed media art object that challenges the viewer. Using the imagery of blood-stained, demonic-like hands firmly grasping a doll, the artist explores the dynamics of physical control and dominance. This object, complete with frame, hands, and doll, serves as a masterclass in tension and stillness. Its vibrant red tones and stark composition make it an ideal gift for collectors seeking an emotive, thought-provoking addition to a modern interior. The work's physical presence provides a deep, psychological narrative that resonates within any professional or private space.
Presentation
Nadya Safronova is a contemporary artist. Her exhibition practice includes projects in Moscow, St. Petersburg, and Rostov-on-Don. In 2026, she presented a solo exhibition at TSUM in Rostov-on-Don and participated in REGIONS. NOTHING IS HAPPENING at Fineart Gallery in Moscow. Her work has also been featured in ART-AGENT magazine and Visual Art Journal. Her international exhibition program includes projects in Shanghai and New Delhi.
Working with oil and acrylic on canvas, Nadya develops a visual language rooted in magical realism. Darkness, mysticism, mortality, and the psychology of fear form the core of her practice. She transforms subjects traditionally associated with anxiety into vivid, visually seductive images, creating a deliberate tension between dark narratives and intense color.
Her practice began as a way of confronting her own fears through painting. Nadya Safronova now approaches darkness not as something to escape, but as territory to examine and transform—revealing beauty within what is usually perceived as unsettling or unknown.
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