Japanese VIII, 2025
Fine Art Drawings : pencil, ballpoint pen · 12.5 x 20 x 1 cm 4.9 x 7.9 x 0.4 inch
€970
970 €
Delivered in time for Christmas
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Shipped from: Spain
Delivery to: Germany , € 100
Estimated delivery: Three to four weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Fine Art Drawings : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
pencil , ballpoint pen on board
Dimensions ( cm • inch )
12.5 x 20 x 1 cm 4.9 x 7.9 x 0.4 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2026
Description
The artwork "Japoneses VIII" forms an integral part of the resolution phase within "Act III. The Code of the Ballpoint Drawings (The Secret Messages)", aligning with the thematic progression toward overcoming trauma, emotional restoration, and reconciling traditional heritage with modern identity. Following the raw tension and explicit distress rendered in preceding pieces such as and , this drawing introduces a decisive turning point: anguish and dread yield to emotional release, shared serenity, and an uninhibited laughter that dismantles the archetype of immutable submission.
Compositional Analysis and Characters
The Contemporary Portrait and Complicit Gaze: On the left, a young woman with dark, loose hair and a calm expression offers a gentle, contained smile. Rendered with delicate pencil and ballpoint strokes, her blue eyes project emotional recovery and reflective lucidity. Beside her, peeking out with alert curiosity, rests a tabby cat with luminous green eyes—revisiting the emblem of intimacy, sanctuary, and fidelity first introduced in .
The Geisha in Joy (The Demolition of the Mask): On the right stands the classical figure adorned in an intricate floral kimono and an ornate bridal/ceremonial coiffure decorated with scarlet beads () and blossom accents. Moving far beyond the rigid stillness or muted distress seen in earlier phases, she bursts into open, hearty laughter, teeth displayed and eyes squinted in spontaneous mirth. This joyful gesture acts as a radical subversion of formal geisha decorum, revealing the living individual beneath ceremonial expectations.
Liberated Butterflies and Textile Patterning: Four butterflies with wings in sapphire, amethyst, emerald, and patterned textures flutter above the subjects' heads. In contrast to the pinned, frozen specimens sealed beneath resin in and , here the insects roam the paper surface as dynamic symbols of psychological metamorphosis and flight. Behind them, a subtle motif of blossoms and pale-blue arabesques lends brightness and visual levity to the entire sheet.
Calligraphy in Purple and Cyan: The Secret Night Procession
The central interval separating the two figures is intersected by a dense vertical sequence of Japanese calligraphy, hand-inscribed in purple and magenta tones accented by a cyan halo:
Inscribed Text:
Narrative Significance: The verse evokes movement along nocturnal corridors, yet entirely stripped of predatory danger. The secret guarded by the figures is no longer an enforced vow of silence or a criminal ledger, but an intimate camaraderie guiding the path toward self-determination.
Role Within the Exhibition Narrative
Restorative Balm After Rupture: operates as the emotional counterweight to the cycle of fear recorded in earlier drawings. It captures the threshold where physical and psychological trauma begins to mend, overtaken by the joy of reclaimed life.
Reconciliation of Divergent Worlds: The harmonious coexistence of the modern woman and the laughing geisha on a single plane resolves the fragmented identities sustained throughout the show. The piece underscores that the ballpoint code is ultimately a testament to liberation, where beauty sheds its role as an entrapment to become an unfiltered celebration of human agency.
Presentation
Eugenio Montoro Aybar (born 1974 in Granada, Spain, where he currently resides and works) is a distinguished visual artist, researcher, and educator holding a PhD in Fine Arts from the University of Granada, specializing in pictorial techniques and artistic procedures. Throughout his established career, he has combined rigorous academic research and fine art painting with the direction of monumental mural projects and heritage conservation initiatives on both national and international stages.
Among his prominent monumental achievements is the direction and coordination of the mural and decorative paintings for the full-scale replica of the Alhambra of Granada at the Al-Yamamah Royal Palace in Riyadh (Saudi Arabia), commissioned by King Fahd bin Abdulaziz. In Spain, he has led prestigious ecclesiastical restorations, including the monumental high altars of the Basilica of Saint Michael the Archangel and the Basilica of Saint Andrew in Granada, as well as the mural decorations of the Basilica of Lillo in Toledo.
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