Bronze Sculpture for Sale
Japanese XI, 2025
Fine Art Drawings : pencil, ballpoint pen · 12 x 12 x 1 cm 4.7 x 4.7 x 0.4 inch
CHF 942
942 CHF
Shipping & delivery
Shipped from: Spain
Delivery to: Switzerland , CHF 97
Estimated delivery: Three to four weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Fine Art Drawings : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
pencil , ballpoint pen on board
Dimensions ( cm • inch )
12 x 12 x 1 cm 4.7 x 4.7 x 0.4 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2026
Description
The artwork "Japoneses XI" serves as the definitive conclusion to "Act III. The Code of the Ballpoint Drawings (The Secret Messages)", bringing the entire graphic series on wood to a close. Departing from the rectangular format of preceding compositions, this work adopts the circular form of the tondo, functioning as a closing seal, an introspective mirror, and the final synthesis where the emancipated voice reaches a state of serene self-sovereignty.
Compositional Analysis and Visual Structure
The Circular Format (Tondo and the Cycle's Resolution): Choosing a circular support breaks away from the extended panoramic format of earlier diptychs, focusing the gaze onto a single, intimate plane. The circle evokes the completion of the investigative and life cycle, acting like a magnifying lens trained on the protagonist's reclaimed subjectivity.
The Contemporary Protagonist's Gaze: Occupying the center of the piece is the close-up portrait of a young woman with dark hair, textured bangs, and round glasses framed in fine blue and emerald-green wire. Looking through the lenses, vivid green eyes engage the viewer directly with absolute clarity and without a trace of fear. Her softly blushed cheeks and parted lips, revealing the tip of her tongue in a subtle gesture of quiet wit, solidify her archetype as a woman in full command of her intellect and voice.
Cerulean Contour and Typographic Collage: The figure is set off by the electric blue halo characteristic of the graphic language throughout Act III. Flanking her shoulders are fragments of printed text in Japanese characters, integrated into the collage like remnants of ethical treaties, legal documents, or existential inquiries.
Botanical Ground in Blue and Ochre: Enfolding the protagonist's head, an ornamental ground of large peonies and foliage blossoms in sky-blue, white, and ochre accents, over which a small dark butterfly flutters. Nature ceases to be a decorative cage and becomes an aura of restored peace.
Placement in the Exhibition Narrative
Closing of the Evidentiary Dossier: formally closes the testimonial archive rendered in ballpoint pen. Following the clash of divergent worlds (), the horror and trauma of abuse (), flight (), and the assertion of complicit laughter (), this artwork cements the image of someone who has crossed the abyss and returned whole, in full possession of her own gaze.
Triumph Over the Silence of Hanazono: The piece seals the exhibition's resolution: the silence imposed by the dark alley and patriarchal tradition has been definitively dismantled. The depicted woman no longer hides behind the ritual mask of the geisha nor remains immobilized under resin; she is an autonomous, thinking contemporary presence whose open countenance bids farewell to the viewer, affirming the final victory of life over fear.
Presentation
Eugenio Montoro Aybar (born 1974 in Granada, Spain, where he currently resides and works) is a distinguished visual artist, researcher, and educator holding a PhD in Fine Arts from the University of Granada, specializing in pictorial techniques and artistic procedures. Throughout his established career, he has combined rigorous academic research and fine art painting with the direction of monumental mural projects and heritage conservation initiatives on both national and international stages.
Among his prominent monumental achievements is the direction and coordination of the mural and decorative paintings for the full-scale replica of the Alhambra of Granada at the Al-Yamamah Royal Palace in Riyadh (Saudi Arabia), commissioned by King Fahd bin Abdulaziz. In Spain, he has led prestigious ecclesiastical restorations, including the monumental high altars of the Basilica of Saint Michael the Archangel and the Basilica of Saint Andrew in Granada, as well as the mural decorations of the Basilica of Lillo in Toledo.
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