Bronze Sculpture for Sale
Izumi, 2025
Painting : mixed media · 19 x 15 x 2 cm 7.5 x 5.9 x 0.8 inch · Ready to hang
$2,583
2 583 $US
Shipping & delivery
Shipped from: Spain
Delivery to: United States , $ 237
Estimated delivery: Three to four weeks
Free returns within 14 days, full refund
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Sold with certificate of Authenticity from the artist
Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
mixed media on board
Dimensions ( cm • inch )
19 x 15 x 2 cm 7.5 x 5.9 x 0.8 inch Height x Width x Depth
Artwork dimensions including frame
24 x 20 x 5 cm 9.4 x 7.9 x 2 inch
Sold by
Art gallery
Credentials
Vetted seller since 2026
Description
Following the awakening of "Sakura", the portrait "Izumi" advances and enriches the primary thread of the exhibition's first act: . The heroine's name translates from Japanese as "spring" or "fountain", finding both a literal and poetic manifestation in her presence: the viewer encounters an embodiment of clarity, silence, and untouched freshness.
Poetic Leitmotif
The artist's original haiku acts as the emotional tuning fork for the image, praising the gentle contours and the quiet clarity welling up in her gaze:
Composition, Artistry, and Palette
Tondo Medallion: The compositional core is a circular medallion () edged with fine beading, reminiscent of an exquisite cameo or a timeless keepsake. Izumi's visage—defined by a sleek, graphic bob and delicate bangs—is rendered with painterly restraint: radiant porcelain skin, expressive almond eyes caught in three-quarters profile, and soft coral lips. The emerald-teal tone of her neckline harmonizes seamlessly with the deep casing.
Collage Substrate: Silk and Diffused Light: In contrast to the saturated pomegranate palette of "Sakura", the collage beneath Izumi's tondo unfolds in soft, translucent pastel washes. Delicate botanical sprigs, reed-like lines, and gentle floral traces over a warm peach-and-cream field evoke a serene morning mist illuminated by filtered daylight.
Custom Shadow-Box Frame: The deep wooden shadow-box enclosure, washed in an intense turquoise blue, acts as an intentional spatial threshold—hermetically insulating the delicate interior realm from external intrusion.
Dramaturgical Context
Within the conceptual arc of , "Izumi" personifies the "Façade" (Appearance) stage at its purest stillness:
The Illusion of Sanctuary: Izumi is an untainted wellspring, untouched as of yet by the violence and grime of Hanazono's underbelly. While her gaze exudes tranquility, her enclosure within the circular perimeter and the deep shadow box signals an underlying vulnerability: this beauty has already been extracted from life, preserved as an artifact, and positioned for its inevitable encapsulation under resin.
The Tension of Foreboding: In the unfolding narrative, Izumi's quiet fragility sharpens the psychological weight of the ensuing chapters—where gossamer silks yield to crimson splatters on cold asphalt, oppressive neon shadows (, ), and urgent, hidden cries for liberation throughout the series.
Presentation
Eugenio Montoro Aybar (born 1974 in Granada, Spain, where he currently resides and works) is a distinguished visual artist, researcher, and educator holding a PhD in Fine Arts from the University of Granada, specializing in pictorial techniques and artistic procedures. Throughout his established career, he has combined rigorous academic research and fine art painting with the direction of monumental mural projects and heritage conservation initiatives on both national and international stages.
Among his prominent monumental achievements is the direction and coordination of the mural and decorative paintings for the full-scale replica of the Alhambra of Granada at the Al-Yamamah Royal Palace in Riyadh (Saudi Arabia), commissioned by King Fahd bin Abdulaziz. In Spain, he has led prestigious ecclesiastical restorations, including the monumental high altars of the Basilica of Saint Michael the Archangel and the Basilica of Saint Andrew in Granada, as well as the mural decorations of the Basilica of Lillo in Toledo.
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Reviews from our customers
All our reviews are extracted from Verified Reviews
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