Phare des pierres noires, 2023
Painting : oil, collage · 80 x 40 x 3 cm 31.5 x 15.7 x 1.2 inch · Ready to hang
Shipping & delivery
Shipped from: France
Delivery to: Spain , € 150
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
80 x 40 x 3 cm 31.5 x 15.7 x 1.2 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2017 • Top Seller
Description
The Black Stones Lighthouse stands like a motionless beacon in the heart of a shifting landscape. Isolated off the Saint-Mathieu headland, in the commune of Le Conquet, the lighthouse appears here in direct relation to the elements, less as an architectural structure than as a presence facing the sea. Oil paint, combined with collages of paper and sand, gives the work an expressive and embodied quality. The paper lends the lighthouse a texture that is both dense and fragile, while the sand, flung in a broad and partially abstract gesture, conveys the breath of the wind and the diffuse violence of the waves. Matter becomes sensation. The light and transparent colors—softened red, gray-blue, sandy ochre—converse with the white background, left largely open and traversed by broad, energetic strokes. This white acts as a breathing space, reinforcing the tension between the vertical stability of the lighthouse and the chaotic movement of the sea. The work does not depict a specific storm. It evokes a familiar sensation: that of a fixed point facing the flow, of a standing silence amidst the tumult.
The Lighthouse of Black Stones stands out as a sensory reminder, an inner image of calm resistance and long time, capable of establishing in the space a presence that is both soothing and deeply inhabited.
Presentation
Painting is a material and spiritual journey that I take around my first passions, mountains, water, sailing, sea and music. Since my beginnings in 1974, I have trained with other painters. First very inspired by the vibration of colors in the Impressionists and the Fauvists, I turned in the 80s to watercolor, whose transparencies I appreciate.
Finally around the 2000s, I discovered contemporary painting and mixed techniques opening up the field of possibilities. Indeed, by preparing my paintings with collages of paper and sand, I create textures where the paint, very diluted in the manner of watercolors, reacts by drainage or by diffusion to leave its own mark. By the gesture, I print the energies. By the softness of the transparencies and the relationship to emptiness, I register my emotions. Each painting thus invites to a poetic journey.
Reviews from our customers
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