Colored artworks

The work of color is central in any artistic work. It is even one of the first tools of the artist. It is difficult to imagine a work that would exist without the working of color - even if it is the absence of color that the artist chooses to present.

Through the ages and artistic movements, the use and meaning attributed to color evolves, but the essence of color remains the same. Every artist must master the properties of color in order to control his composition. In the restoration of paintings, color even becomes a science, because it is necessary to know the different molecules to find the colors and mixtures originally used by the artist.

In the history of art, the importance of color fluctuates according to periods and geographical areas. During the Italian Renaissance, for example, there was a debate (called Paragone) between the authority of color versus drawing: according to the schools, it is the color, and not the line, that creates the emotion and visual power of a work of art. The colors thus take on an immense importance, and assume certain meanings: white symbolizes purity for example, and blue (systematically used to clothe the Virgin Mary) is associated with divinity. These symbols are not thought of randomly: the purple for example, is used since the Byzantine era to signify the highest rank of royalty. Unlike ochre, the purple pigment came from a specific shell, and was extremely difficult - and therefore rare, and expensive - to obtain.

More generally, colors can be divided into three categories: warm, cool, and neutral. As their name implies, these classes of colors give off an atmosphere that the painter can use to influence the emotion of his work. Baroque art, for example, manipulates the contrasts between warm and cold colors to capture the power of bodies. The play of light is exalted by the effects of color. For a long time, the traditional Western school of painting required painters to reproduce the colors of the environment around them. It was the Impressionists, in the 19th century, who explored other ways of seeing - and therefore of transcribing on canvas - their chromatic environment. By avoiding complex mixtures and painting spontaneously, in the open air, the Impressionists reinvented the use of color to reproduce reality.

It was not until abstract and subjective painting that art devoted itself to color as a subject. Mark Rothko, precursor of the Colorfield Painting movement and of abstract expressionism, sees in his paintings a living organism whose color is human and whose format is transcendent. Piet Mondrian, on the other hand, sought in his paintings to approach the very essence of nature through the purity of primary colors, to achieve abstraction. The founder of the Russian avant-garde movement of Suprematism, Kasimir Malevich, will disturb the senses of everyone with his work "White square on white background", in which the color is painted only for itself. Contemporary art, photography, collage, or pop art also use in their respective ways the resources of color, exploring indefinitely all its pluralities. As Picasso said, "When I have no blue, I use red."

Artsper writes art in color: discover below a great selection of works that honor color and its properties. What better way to brighten up an interior?

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Colored artworks

Les Bonh'om Bidules 3

Bowie

Love Ado Haring

Outrenoir colors

Stormtrooper on steel

Bonh'om Bidule 9

Beautiful Day

Bonh'om Bidule 10

Bidule Hibou

Lune

Mickey Banksy

Toulouse Lautrec Love

Style break #1 Money

Chat va tranquille

Viva la playa

Bar de la playa

Grandeur nature

Tess

Ballerinette

Flash'pop

Fun et miaooo

Cool et miaooo

Cat & flowers

Cover n°7

Cover n°8

Bouchra Rider

Giaco Vs La Linea

Captain America

Gate of heaven

ma douceur

Portrait Rachel

Portrait Maïla

Portrait ASAHI - Digital Art digigraphie

Portrait Rachel - Digital Art digigraphie

Portrait Asahi

Portrait Sakura

Portrait Mila

Shana

Le duel

Swan, Signe - Digital Art digigraphie

32°C - Digital Art digigraphie

Jazz - Digital Art digigraphie

Composition d'amour

Sinon rien !

Facets of Perception

Fragments of Memory

The Mind’s Geometry

Fragments of Vision

Reflections in Scarlet

Prismatic Identity

Harmonic Currents

Threads of Unity

Orbital Perspectives

Shifting Horizons

The Horizon Within

Prismatic Consciousness

Harmonic Divergence

Symphony in Fragments

The Veil of Duality

Eclipsed Self

Fractured Harmony

Celestial Veil

The Geometry of Being

The Arbiter of Dualities

Contours of Resonance

“Feathered Echo of a Veiled Identity”