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Salvador Dali

Profil du temps, 1984

Sculpture : bronze, metal 20.1 x 13.8 x 13.8 inch

$39,033

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About the artwork

Artwork sold in perfect condition

This sculpture echoes Dalí's famous 1931 painting ‘The Persistence of Memory’ in which the famous melted watch appeared for the first time. As the watch liquefies over the tree, it forms into a human profile, underlining the interminable relationship between man and time. The unexpected softness of the watch also represents the psychological aspect whereby time, whilst considered to be precise and fixed in its nature, can, in fact, vary significantly in human perception. All humans must bend to the passing of time. We see Dalí’s profile in the face of the clock. There is a tear falling from his eye, lamenting the path of life that all men must travel.
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About the seller
Galerie Dali Paris • Paris, France

Artsper seller since 2019

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Medium
Sculpture: bronze, metal
Dimensions cm inch
20.1 x 13.8 x 13.8 inch
Display
The sculpture cannot be displayed outdoors
Type
Numbered and limited to 350 copies
1 copy available
Authenticity
Work sold with an invoice from the gallery and a certificate of authenticity
Signature
Artwork signed in the mold
Tags

Statue

Themes

Urban Landscape

Fantastic

Worldwide delivery

The artwork is available for pickup from the gallery in Paris, France or can be delivered to the address of your choice within 5 to 6 weeks after validation of your order. The work is insured during transport, so it's risk-free.
Origin: France Find out more about delivery

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Spanish artists

Salvador Dalí, in full Salvador Felipe Jacinto Dalí y Domenech, was born May 11, 1904, in Figueras, Spain, and died on January 23, 1989. This Spanish surrealist painter and printmaker was known for his explorations of subconscious imagery.


As an art student in Madrid and Barcelona, Dalí absorbed a number of artistic styles and displayed unusual technical dexterity as a painter. It was not until the late 1920s that two events brought about the development of his mature artistic style. First, his discovery of Sigmund Freud's writings on the erotic significance of subconscious imagery. Second, his affiliation with the Paris Surrealists, a group of artists and writers who sought to establish a “greater reality" of the human subconscious over reason. To evoke images from his subconscious mind, Dalí partook in self-induced hallucinatory states, a process he described as “paranoiac-critical". 


Upon Dalí establishing this method, his painting style matured at an extraordinary rate. Thanks to Rene Magritte and Joan Miró, from 1929 to 1937, Dalí had produced the artworks that had earned him the title of the world's best-known Surrealist artist. He depicted a dream world in which commonplace objects are juxtaposed, deformed, or otherwise metamorphosed in a bizarre and irrational manner.


The famous artist dabbled in other media as well. Alongside Spanish director Luis Buñuel, Dalí made two Surrealist films—Un Chien Andalou (1928; An Andalusian Dog) and L'Âge d'Or (1930; The Golden Age)—that are similarly filled with grotesque but highly suggestive images. Dalí also wrote books; perhaps the most interesting and revealing being The Secret Life of Salvador Dalí (1942-44).


By the late 1930s, Dalí switched to painting in a more academic style under the influence of the Renaissance painter Raphael. By doing so, he was consequently expelled from the Surrealist movement. Thereafter, he spent much of his time designing theatre sets, fashionable shop interiors, jewelry, as well as exhibiting his genius for flamboyant self-promotional stunts in the United States, where he lived from 1940 to 1955.


From 1950 to 1970, Dalí painted many works with religious themes, although he continued to explore erotic subjects, childhood memories, and themes surrounding his wife, Gala. Despite their technical accomplishments, Dalí's later paintings are not as highly regarded as his earlier works. 

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