Red Chair, 2008
Dean Tavoularis  

Painting : oil · 100 x 80 x 1 cm 39.4 x 31.5 x 0.4 inch · Ready to hang

$17,504 17 504 $US

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Shipped from: France

Delivery to: United States , $ 1,167

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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

100 x 80 x 1 cm 39.4 x 31.5 x 0.4 inch Height x Width x Depth

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Vetted seller since 2016 • Top Seller

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Description

This artistic work features an imposing armchair, painted in passionate tones of reds and blacks. The bright red, evenly textured background accentuates the depth and warmth of the composition. The armchair, the central motif of the canvas, is decorated with sumptuous black floral motifs, creating a striking contrast with the vermilion background. The delicate and complex arabesques of floral designs infuse a rich, baroque elegance, reminiscent of antique tapestries or period furniture. Through the clever use of color and contrast, the armchair appears almost three-dimensional, inviting the viewer to immerse themselves and imagine the texture of its luxurious fabric. The subtle shadow effect at the foot of the chair reinforces the illusion of depth and grounding in the painting. This work is an ode to the visual richness and complexity of interior design, transcended by the simplicity of its subject. The juxtaposition of the monochrome background and the ornate details of the armchair draws the eye and encourages contemplation. Each element of this painting is executed with remarkable precision, creating a sophisticated and timeless visual harmony.

Dean Tavoularis, Red Chair
United States  • 1932

Presentation

In the tradition of great production designers (Alexandre Trauner, Ken Adam), Dean Tavoularis has discreetly established himself in the history of cinema, leaving his mark on around thirty films, including almost the entire work of Francis F. Coppola.
Trained at Disney (Lady and the Tramp, Mary Poppins), this son of Greek immigrants, settled in California, took drawing and architecture classes, before materializing the plans of Arthur Penn (Bonnie and Clyde, Little Big Man) and Michelangelo Antonioni (Zabriskie Point). Each of his shoots requires long hours of location scouting and documentary research, his secret for defining the opaque atmosphere of The Godfather or the humidity of Apocalypse Now, the misty exteriors of Hammett by Wim Wenders or the coquettish interiors of Carnage, his last film, directed by Roman Polanski in 2011. Since then, in Paris where he lives with the actress Aurore Clément, Dean Tavoularis paints canvases which he exhibits alongside the storyboards of his brother Alex, the very ones which were used studying the settings of his films.

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