Vuelta al ruedo, 2026
Kseniia Turik & Art  

Painting : acrylic, plaster · 92 x 73 x 3 cm 36.2 x 28.7 x 1.2 inch · Ready to hang

€3,200 3 200 €
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Shipped from: Spain

Delivery to: France , € 96

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cminch )

92 x 73 x 3 cm 36.2 x 28.7 x 1.2 inch Height x Width x Depth

Sold by

Credentials

Vetted seller since 2026

Description

Gold, and no horizon. A figure emerges from it the way a saint emerges from an icon — lifted out of place and time, with nothing behind him but light. Yet this is not heaven. It is albero, the ochre sand of the arena, which by late afternoon in Seville turns the colour of beaten gold. He stands nowhere and stands in the ring at once.

The montera is pulled low. The eyes are closed. The face has been almost entirely wiped from the canvas, and what little remains of it is governed by one emotion.

The vuelta al ruedo is the lap of honour a matador is given around the ring when the crowd decides he has earned it. He walks it alone, in the very suit he killed in, while the stands wave a sea of white handkerchiefs and sprigs of wild rosemary come down onto the sand at his feet.

And he is smirking. Barely — a lift at one corner of the mouth, exactly as much pleasure as a man will permit himself in public. It is the smallest gesture in the painting and it carries everything.

The blood has already arrived. It sits on the collar, gathers at the buttons, and throws itself loose into the gold behind him. Jubilation, death and blood occupy the same second, on the same ground. Spain has never pretended to separate them, and neither does this canvas.

The cobalt and silver of the traje de luces are built up in ridges of texture paste, so that the embroidery rises physically from the surface and catches raking light the way the real garment is engineered to do. Seen closely, the suit is a relief; seen from across a room, it is a man.

Hung alone on a deep, dark wall — green, plaster or oxblood — at eye level, the gold ceases to be a colour and becomes a source of light. A work for a hall, a study, a dining room after dark.

From the capsule PRESENCE. Not a portrait. A presence.

Hand-signed on the front, branded brass plaque "TURIK & ARTS" on the side edge, Certificate of Authenticity included.

Portrait

figurative

Matador

Tradition

Dark blue

Kseniia Turik & Art, Vuelta al ruedo
Spain

Presentation

Turik & Art (Kseniia Turik) is a European contemporary artist working between Paris and Marbella. Her practice centres on monumental abstract painting — large-format works in acrylic, epoxy resin and lacquer, built up in layers until surface becomes depth and light becomes material.

Her work has been shown at Art Capital, Grand Palais, Paris (2025 and 2026), the Carrousel du Louvre, the Tokyo Metropolitan Art Museum (2025), the Salon des Indépendants in Beijing and Shenzhen (2025), and the Contemporary Art Fair in Marbella.

Before turning to painting, she spent three decades as an interior architect for private residences, villas and private aviation on the Côte d'Azur and the Costa del Sol — an experience that shaped her understanding of scale, light and the way a work inhabits a room. Her paintings are conceived for architecture: they are not surfaces to be looked at, but presences to be lived with.

Each work is hand-signed, carries a branded brass plaque on the side edge, and is accompanied by a Certificate of Authenticity.

Kseniia Turik is the author of Seven Voices, a video series in which seven people from different countries respond independently to the same painting — revealing what a work says about the person who lives with it.

Reviews from our customers

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