Bronze Sculpture for Sale
Tragic virtues, Circa 2019
Photography : digital, fine art print · 60 x 40 x 2 cm 23.6 x 15.7 x 0.8 inch
€395
395 €
Shipping & delivery
Shipped from: France
Delivery to: France , € 28
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
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Verified Reviews : 9.6/10
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About the artwork
Type
Photography : numbered and limited to 3 copies
2 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Not Signed
Technique & Support
digital, fine art print on Hahnemuehle fine art paper
Dimensions ( cm • inch )
60 x 40 x 2 cm 23.6 x 15.7 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2023
Description
The Japanese word Jöi defines among other things empathy, passion and affection represented best by the words of Haruki Murakami
"People are drawn deeper into tragedy not by theri defects but by their virtues"
The image is the result of a very sloppy paint brush full of thick red paint splashed on an outdoor bar wall. to my eye, the macro lens result looks like Japanese textural writing figures (there are many different images that were put into this collection). As another surprise, this macro lens "paint abstract" is located perhaps 6-feet from the location of “Mutuality”. It's a very "high return” location.
30 exemplaires maximum tous formats confondus.
"People are drawn deeper into tragedy not by theri defects but by their virtues"
The image is the result of a very sloppy paint brush full of thick red paint splashed on an outdoor bar wall. to my eye, the macro lens result looks like Japanese textural writing figures (there are many different images that were put into this collection). As another surprise, this macro lens "paint abstract" is located perhaps 6-feet from the location of “Mutuality”. It's a very "high return” location.
30 exemplaires maximum tous formats confondus.
Presentation
I am in turn a photojournalist, writer, broadcaster and historian. I gravitated to the works of W. Eugene Smith, Magnum photographers; Henri Cartier-Bresson, and Joseph Koudelka. Their common approach became my mantra: make images that tell a story; withdraw; disappear; leave vanity aside; and make emotional, elegantly composed images that point to a truth about your subject. From 1972 to 1984, I captured the intimate moments of drivers fighting to survive in F1, a time that was forcing the most significant changes to drivers, cars and technology in history. Grand Prix.
From the beginning, it was clear that these technological developments influenced the spirit, the passion and the courage that I registered at that time, and I decided then to adopt the style of Cartier-Bresson and to become "a fly on the low wall"; get as close as I could to these pieces of history, without influencing the emotion or drama of the moment.
Throughout the decades that followed, working in the press or heading departments of international automotive brands, I could not forget my intimate Grand Prix images that I had captured while being a "fly on the wall". in the world of Formula One. So I brought them together to present them to the general public. I also returned to creating new digital works, both monochrome and color, oriented to time and its influence on nature and the world at large.
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Reviews from our customers
All our reviews are extracted from Verified Reviews
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