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Corné Akkers, Risque 11-01-22, Drawing, Pencil/Colored Pencil on Paper, Fine Art Drawings on paper
Corné Akkers, Risque 11-01-22, Drawing, Pencil/Colored Pencil on Paper, Fine Art Drawings on paper
Corné Akkers, Risque 11-01-22, Drawing, Pencil/Colored Pencil on Paper, Fine Art Drawings on paper
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Corné Akkers, Risque 11-01-22, Drawing, Pencil/Colored Pencil on Paper, Fine Art Drawings on paper
Corné Akkers, Risque 11-01-22, Drawing, Pencil/Colored Pencil on Paper, Fine Art Drawings on paper
Corné Akkers, Risque 11-01-22, Drawing, Pencil/Colored Pencil on Paper, Fine Art Drawings on paper
Corné Akkers, Risque 11-01-22, Drawing, Pencil/Colored Pencil on Paper, Fine Art Drawings on paper
Corné Akkers, Risque 11-01-22, Drawing, Pencil/Colored Pencil on Paper, Fine Art Drawings on paper
Corné Akkers, Risque 11-01-22, Drawing, Pencil/Colored Pencil on Paper, Fine Art Drawings on paper

Risque 11-01-22, Drawing, Pencil/Colored Pencil on Paper, 2022
Corné Akkers  

Fine Art Drawings : pencil · 21.1 x 29.7 x 0.3 cm 8.3 x 11.7 x 0.1 inch

€1,446 1 446 €

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Shipped from: Netherlands

Delivery to: France , € 59

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Verified Reviews : 9.6/10
9.6/10
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About the artwork

Type

Fine Art Drawings : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

pencil on paper

Dimensions ( cm • inch )

21.1 x 29.7 x 0.3 cm 8.3 x 11.7 x 0.1 inch Height x Width x Depth

Sold by

Art gallery

Zatista Contemporary & Fine Art • United States

Credentials

Vetted seller since 2022

Discount

This seller offers discount when you purchase multiple artworks.

Description

All the Right Angles. This graphite pencil drawing Risque 11-01-22 is the third one of Julia Filament after the session of last 30th December. As previously said I found it to be an exciting session during which she took many great poses. Lucky me. Besides her warm personality as a model she also shows the right angles and has a great body. Sometimes I think she already knows from my artist's gaze how her pose looks like. Whether this is active knowledge or instinct, I really don’t care. In this particular case her slanted position with the triangular knee and elbow positions was the wow factor. It was too great a pose to ignore. New Kind of Roundism After the previous one Hold Your Horses 04-01-22, I was in for a different type of drawing. These aforementioned triangles automatically would lead me to cubism and so it did. I also thought it would be fun to see what another roundism drawing might bring me. Strangely it turned out to become more subtle in that specific style. Of late I have the feeling I tend towards realism a bit more. My love for textures seems to pop up again like the depiction of that furry blanket she is sitting on. I feel like some kind of modern kind of Jan van Eyck. It bears certain key cubist features though, like the styled breast. In the past I was more formalistic but now I see how I also can show contrasts in textures. They are some kind of addition to my love for tonal, color and form contrasts. Realism and Abstract Cross-overs When I come to think of it more and more I realize myself my artistic regard is changing gradually. Perhaps the ultimate goal is to create a reminiscence of abstraction, a perfect crossover towards realism. What bothers me most is the out-of-touch moment a spectator must have when he passes by a work of art. If he or she looses grip on the depiction then it is time for a kind of whatever conclusion and walk away. The roundism experience always was based on an attempt from my side to stay in touch. However, I think I feel the need to try harder in my attempts to combine realism with abstraction. Maasluis 08-06-21 is a clear example of this changing regard. This drawing for that matter is more abstract than it lets on. Hopefully the viewer may share this point of view. Risky Risque Last but not least, where is the risque pun? Perhaps the striking nipples are explicite enough to become risque in their own right. As stated before I do not back away from nipples again. Do you consider then to be risque or do you support the no nipple policy? Graphite pencil drawing (Sakura 0.5 mm, Pentel 4B) on Talens Bristol paper (21 x 29.7 x 0.1 cm) - A4 format) 

Nude

Self-portrait

Lady

Realism

Interior scene

Breasts

White

Grey
Corné Akkers, Risque 11-01-22, Drawing, Pencil/Colored Pencil on Paper
Corné Akkers

Corné Akkers

Netherlands  • 1969

Presentation

Corné Akkers was born in 1969 in Nijmegen, Netherlands. He grew up in a Bohemian environment, during the 70's. This ideal creative atmosphere inspired him and gave him the desire to paint. He trained in painting and drawing.

In his paintings, the artist explores the nude and portrait with several types of analysis and treatments, and doesn't lose sight on how light plays an important role. He combines the figurative style and the quest for abstraction, he plays around with colors and creates vast optical illusions. Not only is his work unique, his paintings shout out cubism but also surrealism and fauvism. They are so hypnotic that they are able to capture the look.

While working as a painter, Akkers also teach art at Voorburg in Netherlands. His paintings have been exhibited several times and sold to art collectors, all around the world.

Illustrators

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Reviews from our customers

All our reviews are extracted from Verified Reviews

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