In the Wake of Tears, 2021
Photography : archival pigment print · 42 x 60 x 0.1 cm 16.5 x 23.6 x 0 inch
Shipping & delivery
Shipped from: United Kingdom
Delivery to: Italy , € 77
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Photography : numbered and limited to 25 copies
3 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
42 x 60 x 0.1 cm 16.5 x 23.6 x 0 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2021
Description
A vast, desolate landscape unfolds in this evocative archival pigment print. The composition emphasizes a profound sense of isolation. A single, small shrine stands alone against a pale horizon. It marks a quiet point of devotion within an expansive, arid terrain. The monochromatic palette strips away distraction. It highlights the raw texture of the earth and the soft gradient of the distant hills.
The image captures a delicate tension between human presence and the indifference of nature. This artwork reflects a deep interest in cultural survival and ritual. The solitary cross serves as a symbol of resilience and memory. It anchors the viewer in a space where faith persists despite the emptiness. Every line leads the eye toward this humble monument. The soft light suggests a timeless quality. It transforms a documentary observation into a poetic meditation on identity and heritage. The scene remains still and silent. It focuses on the spiritual weight of a small object placed in a wide, open world.
Presentation
Maria Daniel Balcazar is a Bolivian documentary and fine art photographer who specialises in long-term photographic essays about migration, cultural traditions and identity. Her projects often explore syncretism, resilience and the ways communities preserve and remake their heritage over time.
She studied fine arts in Bolivia and Sweden, and later worked in social communication, journalism and photography. Her work has been exhibited internationally in galleries, universities and museums across Latin America and the United States.
She has published books including 'Kilombo' and 'Herederos del Alba'. Her projects include 'Custodios Invisibles' and 'Matices de Tu Mirada' a visual narrative on Julia de Burgos.
Her photography is known for combining documentary observation with a strong interest in memory, ritual and cultural survival.
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