Persephone, 2000
Maria Daniel Balcazar  

Photography : archival pigment print · 60 x 42 x 0.1 cm 23.6 x 16.5 x 0 inch

$1,668 1 668 $US

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Shipped from: United Kingdom

Delivery to: United States , $ 103

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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : numbered and limited to 25 copies

3 copies available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Signed artwork

Dimensions ( cm • inch )

60 x 42 x 0.1 cm 23.6 x 16.5 x 0 inch Height x Width x Depth

Sold by

Credentials

Vetted seller since 2021

Description

A haunting study of stillness and symbolism. This monochromatic archival pigment print emerges from a deep, enveloping void. A solitary figure stands draped in translucent black tulle. The fabric clings and flows like a shadow. The lighting is precise. It carves out the contours of the skin while leaving the eyes in mystery. 
The composition centers on the hands. They cradle fragments of a pomegranate. The seeds glisten with a visceral intensity. This contrast between the dark veil and the pale fruit evokes a sense of ritual. It suggests themes of fertility, loss, and enduring memory. 
The artist brings a documentary sensibility to this fine art approach. There is a profound focus on identity and resilience. The image transcends a simple portrait. It becomes a meditation on cultural survival. Every fold of the fabric and every seed of the fruit speaks to a quiet, abiding strength. The result is a timeless image defined by its atmospheric tension and stark chiaroscuro.

Portrait

Grenade

Mythology

Black

Grey

Maria Daniel Balcazar, Persephone
Bolivia

Presentation

Maria Daniel Balcazar is a Bolivian documentary and fine art photographer who specialises in long-term photographic essays about migration, cultural traditions and identity. Her projects often explore syncretism, resilience and the ways communities preserve and remake their heritage over time.

She studied fine arts in Bolivia and Sweden, and later worked in social communication, journalism and photography. Her work has been exhibited internationally in galleries, universities and museums across Latin America and the United States. 

She has published books including 'Kilombo' and 'Herederos del Alba'. Her projects include 'Custodios Invisibles' and 'Matices de Tu Mirada' a visual narrative on Julia de Burgos.

Her photography is known for combining documentary observation with a strong interest in memory, ritual and cultural survival.

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