Self-Reflection, 2022
Maria Daniel Balcazar  

Photography : archival pigment print · 42 x 60 x 0.1 cm 16.5 x 23.6 x 0 inch

€1,495 1 495 €

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Shipped from: United Kingdom

Delivery to: Germany , € 77

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : numbered and limited to 25 copies

3 copies available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Signed artwork

Dimensions ( cm • inch )

42 x 60 x 0.1 cm 16.5 x 23.6 x 0 inch Height x Width x Depth

Sold by

Credentials

Vetted seller since 2021

Description

This monochromatic photograph explores the fragmented nature of identity. A woman holds a shard of mirror before her face. The reflection creates a sharp geometric division. One eye stares directly at the viewer while the other is seen in profile. This visual duality suggests a dialogue between the internal self and the external image. 
The composition relies on a minimalist gray background to emphasize the subject. Soft lighting defines the contours of the face and the texture of the hair. The artist uses this precise framing to investigate memory and the reconstruction of the self. 
The image transcends simple portraiture to become a study of resilience. It captures a moment of introspection and psychological depth. Every line is intentional. The archival pigment print ensures a lasting clarity of the tonal transitions. This artwork reflects a deep interest in how individuals preserve their heritage through personal reflection. The focus remains sharp on the hand and the mirrored glass, highlighting the fragile boundary between reality and perception.

Portrait

Black and white

Women

Reflection

Faces

Grey

Maria Daniel Balcazar, Self-Reflection
Bolivia

Presentation

Maria Daniel Balcazar is a Bolivian documentary and fine art photographer who specialises in long-term photographic essays about migration, cultural traditions and identity. Her projects often explore syncretism, resilience and the ways communities preserve and remake their heritage over time.

She studied fine arts in Bolivia and Sweden, and later worked in social communication, journalism and photography. Her work has been exhibited internationally in galleries, universities and museums across Latin America and the United States. 

She has published books including 'Kilombo' and 'Herederos del Alba'. Her projects include 'Custodios Invisibles' and 'Matices de Tu Mirada' a visual narrative on Julia de Burgos.

Her photography is known for combining documentary observation with a strong interest in memory, ritual and cultural survival.

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