The Unseen, 2022
Maria Daniel Balcazar  

Photography : archival pigment print · 42 x 60 x 0.1 cm 16.5 x 23.6 x 0 inch

€1,461 1 461 €

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Shipped from: United Kingdom

Delivery to: France , € 75

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : numbered and limited to 25 copies

3 copies available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Signed artwork

Dimensions ( cminch )

42 x 60 x 0.1 cm 16.5 x 23.6 x 0 inch Height x Width x Depth

Sold by

Credentials

Vetted seller since 2021

Description

This monochromatic archival pigment print captures a moment of profound introspection. A woman leans toward a floating frame. Her reflection meets her gaze in a silent dialogue. The stark contrast between light and shadow isolates the subject against a void. This composition emphasizes the psychological weight of identity and memory.
The artist utilizes her background in documentary photography to explore themes of resilience and heritage. The patterned headwrap serves as a visual anchor. It suggests a connection to cultural traditions and ancestral survival. The void surrounding the frame creates a sense of timelessness. It transforms a personal reflection into a universal meditation on belonging.
The precision of the lighting highlights the texture of the fabric and the softness of the skin. Every line guides the viewer toward the central encounter. The artwork functions as a visual essay on the internal landscape of the migrant experience. It balances formal rigor with a deep human empathy. The image concludes with the delicate detail of bare feet resting on a neutral floor.

Portrait

Women

Reflection

Black

Grey

Maria Daniel Balcazar, The Unseen
Bolivia

Presentation

Maria Daniel Balcazar is a Bolivian documentary and fine art photographer who specialises in long-term photographic essays about migration, cultural traditions and identity. Her projects often explore syncretism, resilience and the ways communities preserve and remake their heritage over time.

She studied fine arts in Bolivia and Sweden, and later worked in social communication, journalism and photography. Her work has been exhibited internationally in galleries, universities and museums across Latin America and the United States. 

She has published books including 'Kilombo' and 'Herederos del Alba'. Her projects include 'Custodios Invisibles' and 'Matices de Tu Mirada' a visual narrative on Julia de Burgos.

Her photography is known for combining documentary observation with a strong interest in memory, ritual and cultural survival.

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