Farewell as Epitath, 2015
Photography : archival pigment print · 42 x 60 x 0.1 cm 16.5 x 23.6 x 0 inch
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Shipped from: United Kingdom
Delivery to: Germany , € 77
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Photography : numbered and limited to 25 copies
3 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
42 x 60 x 0.1 cm 16.5 x 23.6 x 0 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2021
Description
A solemn gathering unfolds in this black and white archival pigment print. The composition balances a vast, textured landscape against the intimate grief of a small group. Figures huddle together in a cemetery, their dark clothing contrasting with the pale, weathered stones. The horizon stretches infinitely, emphasizing a sense of isolation and timelessness.
The image captures a profound moment of cultural ritual and communal memory. Each gesture suggests a quiet resilience. The photographer employs a documentary gaze to explore the intersection of identity and loss. Light washes over the scene, softening the edges of the graves and blending the human forms into the earth.
This artwork reflects a deep commitment to recording the survival of heritage. The stark tonality enhances the emotional weight of the scene. It transforms a private act of mourning into a universal meditation on endurance. The focus remains sharp on the interaction between the living and the silent monuments of the past. The scene concludes with the stark silhouette of a small cross against the pale sky.
Presentation
Maria Daniel Balcazar is a Bolivian documentary and fine art photographer who specialises in long-term photographic essays about migration, cultural traditions and identity. Her projects often explore syncretism, resilience and the ways communities preserve and remake their heritage over time.
She studied fine arts in Bolivia and Sweden, and later worked in social communication, journalism and photography. Her work has been exhibited internationally in galleries, universities and museums across Latin America and the United States.
She has published books including 'Kilombo' and 'Herederos del Alba'. Her projects include 'Custodios Invisibles' and 'Matices de Tu Mirada' a visual narrative on Julia de Burgos.
Her photography is known for combining documentary observation with a strong interest in memory, ritual and cultural survival.
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