Andean Offering, 2014
Photography : archival pigment print · 42 x 60 x 0.1 cm 16.5 x 23.6 x 0 inch
Shipping & delivery
Shipped from: United Kingdom
Delivery to: Germany , € 77
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Photography : numbered and limited to 25 copies
3 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
42 x 60 x 0.1 cm 16.5 x 23.6 x 0 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2021
Description
A stark study of heritage and survival. This archival pigment print captures a silent arrangement of ancestral seeds and roots. The monochrome palette strips away distraction. It focuses the eye on raw textures and organic forms. Grains of corn and weathered tubers rest upon a woven textile. The fabric features rhythmic stripes that guide the gaze across the composition. Each element feels like a relic. The image transcends simple documentation to become a meditation on identity. It speaks to the resilience of cultural memory. The contrast between the soft organic shapes and the structured lines of the cloth creates a visual tension. This artwork explores the deep connection between land and lineage. The precise lighting emphasizes the tactile quality of the harvest. Every crease in the fabric and every grain of corn tells a story of endurance. The composition remains balanced and still. It evokes a sense of ritual and timelessness. The focus remains sharp on the natural offerings. These elements serve as symbols of continuity and biological legacy.
Presentation
Maria Daniel Balcazar is a Bolivian documentary and fine art photographer who specialises in long-term photographic essays about migration, cultural traditions and identity. Her projects often explore syncretism, resilience and the ways communities preserve and remake their heritage over time.
She studied fine arts in Bolivia and Sweden, and later worked in social communication, journalism and photography. Her work has been exhibited internationally in galleries, universities and museums across Latin America and the United States.
She has published books including 'Kilombo' and 'Herederos del Alba'. Her projects include 'Custodios Invisibles' and 'Matices de Tu Mirada' a visual narrative on Julia de Burgos.
Her photography is known for combining documentary observation with a strong interest in memory, ritual and cultural survival.
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