Andean Offering, 2014
Maria Daniel Balcazar  

Photography : archival pigment print · 42 x 60 x 0.1 cm 16.5 x 23.6 x 0 inch

€1,495 1 495 €

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Shipped from: United Kingdom

Delivery to: Germany , € 77

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : numbered and limited to 25 copies

3 copies available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Signed artwork

Dimensions ( cm • inch )

42 x 60 x 0.1 cm 16.5 x 23.6 x 0 inch Height x Width x Depth

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Credentials

Vetted seller since 2021

Description

A stark study of heritage and survival. This archival pigment print captures a silent arrangement of ancestral seeds and roots. The monochrome palette strips away distraction. It focuses the eye on raw textures and organic forms. Grains of corn and weathered tubers rest upon a woven textile. The fabric features rhythmic stripes that guide the gaze across the composition. Each element feels like a relic. The image transcends simple documentation to become a meditation on identity. It speaks to the resilience of cultural memory. The contrast between the soft organic shapes and the structured lines of the cloth creates a visual tension. This artwork explores the deep connection between land and lineage. The precise lighting emphasizes the tactile quality of the harvest. Every crease in the fabric and every grain of corn tells a story of endurance. The composition remains balanced and still. It evokes a sense of ritual and timelessness. The focus remains sharp on the natural offerings. These elements serve as symbols of continuity and biological legacy.

Still Life

Food

Figuration

Black

Maria Daniel Balcazar, Andean Offering
Bolivia

Presentation

Maria Daniel Balcazar is a Bolivian documentary and fine art photographer who specialises in long-term photographic essays about migration, cultural traditions and identity. Her projects often explore syncretism, resilience and the ways communities preserve and remake their heritage over time.

She studied fine arts in Bolivia and Sweden, and later worked in social communication, journalism and photography. Her work has been exhibited internationally in galleries, universities and museums across Latin America and the United States. 

She has published books including 'Kilombo' and 'Herederos del Alba'. Her projects include 'Custodios Invisibles' and 'Matices de Tu Mirada' a visual narrative on Julia de Burgos.

Her photography is known for combining documentary observation with a strong interest in memory, ritual and cultural survival.

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