The Payer of the Living, 2019
Photography : archival pigment print · 42 x 60 x 0.1 cm 16.5 x 23.6 x 0 inch
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Shipped from: United Kingdom
Delivery to: Italy , € 77
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Photography : numbered and limited to 25 copies
3 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
42 x 60 x 0.1 cm 16.5 x 23.6 x 0 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2021
Description
A haunting black and white scene unfolds in this archival pigment print. A figure draped in heavy black fabric kneels in a gesture of profound devotion. The silhouette blends into the rugged terrain of a desolate hillside. This composition captures a moment of quiet resilience and spiritual longing. The surrounding landscape feels timeless and austere. Rough stone structures and solitary crosses punctuate the horizon under a heavy, brooding sky. Every texture is rendered with precision, from the coarse grain of the rock to the delicate fringe of the cloak. The photographer employs a documentary gaze to explore the intersections of faith and cultural memory. There is a rhythmic tension between the stillness of the mourner and the swirling energy of the clouds. The image transcends a simple record of a ritual to become a meditation on grief and endurance. It reflects a deep interest in how identity is preserved through ancestral traditions. The high contrast enhances the emotional weight of the solitude. A small wind turbine stands in the background, adding a subtle layer of modernity to an otherwise ancient atmosphere.
Presentation
Maria Daniel Balcazar is a Bolivian documentary and fine art photographer who specialises in long-term photographic essays about migration, cultural traditions and identity. Her projects often explore syncretism, resilience and the ways communities preserve and remake their heritage over time.
She studied fine arts in Bolivia and Sweden, and later worked in social communication, journalism and photography. Her work has been exhibited internationally in galleries, universities and museums across Latin America and the United States.
She has published books including 'Kilombo' and 'Herederos del Alba'. Her projects include 'Custodios Invisibles' and 'Matices de Tu Mirada' a visual narrative on Julia de Burgos.
Her photography is known for combining documentary observation with a strong interest in memory, ritual and cultural survival.
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