My Shadow was my Light, 2024
Photography : archival pigment print · 42 x 60 x 0.1 cm 16.5 x 23.6 x 0 inch
Shipping & delivery
Shipped from: United Kingdom
Delivery to: United States , $ 103
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Photography : numbered and limited to 25 copies
3 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
42 x 60 x 0.1 cm 16.5 x 23.6 x 0 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2021
Description
This evocative archival pigment print captures a moment of profound stillness. The composition merges human presence with organic forms. A face emerges from deep shadows. Soft light brushes the skin. It reveals a gaze of quiet contemplation.
The artist draws from a rich background in documentary photography. She focuses on themes of identity and cultural resilience. Here, the boundary between the subject and the environment blurs. A large leaf frames the profile. It creates a sculptural silhouette against a moody, atmospheric backdrop.
The monochrome palette enhances the emotional weight. High contrast defines the space. It transforms a simple portrait into a study of memory and solitude. Every gradient of grey suggests a hidden narrative. The image avoids artifice. It relies on a precise balance of light and dark to convey intimacy. This artwork reflects a sophisticated approach to visual storytelling. It invites the viewer to reflect on the concept of endurance. The focus remains sharp on the subject's expression. The surrounding void emphasizes a sense of timelessness.
Presentation
Maria Daniel Balcazar is a Bolivian documentary and fine art photographer who specialises in long-term photographic essays about migration, cultural traditions and identity. Her projects often explore syncretism, resilience and the ways communities preserve and remake their heritage over time.
She studied fine arts in Bolivia and Sweden, and later worked in social communication, journalism and photography. Her work has been exhibited internationally in galleries, universities and museums across Latin America and the United States.
She has published books including 'Kilombo' and 'Herederos del Alba'. Her projects include 'Custodios Invisibles' and 'Matices de Tu Mirada' a visual narrative on Julia de Burgos.
Her photography is known for combining documentary observation with a strong interest in memory, ritual and cultural survival.
Reviews from our customers
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