My Shadow was my Light, 2024
Maria Daniel Balcazar  

Photography : archival pigment print · 42 x 60 x 0.1 cm 16.5 x 23.6 x 0 inch

$1,672 1 672 $US

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Shipped from: United Kingdom

Delivery to: United States , $ 103

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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : numbered and limited to 25 copies

3 copies available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Signed artwork

Dimensions ( cm • inch )

42 x 60 x 0.1 cm 16.5 x 23.6 x 0 inch Height x Width x Depth

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Credentials

Vetted seller since 2021

Description

This evocative archival pigment print captures a moment of profound stillness. The composition merges human presence with organic forms. A face emerges from deep shadows. Soft light brushes the skin. It reveals a gaze of quiet contemplation. 
The artist draws from a rich background in documentary photography. She focuses on themes of identity and cultural resilience. Here, the boundary between the subject and the environment blurs. A large leaf frames the profile. It creates a sculptural silhouette against a moody, atmospheric backdrop. 
The monochrome palette enhances the emotional weight. High contrast defines the space. It transforms a simple portrait into a study of memory and solitude. Every gradient of grey suggests a hidden narrative. The image avoids artifice. It relies on a precise balance of light and dark to convey intimacy. This artwork reflects a sophisticated approach to visual storytelling. It invites the viewer to reflect on the concept of endurance. The focus remains sharp on the subject's expression. The surrounding void emphasizes a sense of timelessness.

Maria Daniel Balcazar, My Shadow was my Light
Bolivia

Presentation

Maria Daniel Balcazar is a Bolivian documentary and fine art photographer who specialises in long-term photographic essays about migration, cultural traditions and identity. Her projects often explore syncretism, resilience and the ways communities preserve and remake their heritage over time.

She studied fine arts in Bolivia and Sweden, and later worked in social communication, journalism and photography. Her work has been exhibited internationally in galleries, universities and museums across Latin America and the United States. 

She has published books including 'Kilombo' and 'Herederos del Alba'. Her projects include 'Custodios Invisibles' and 'Matices de Tu Mirada' a visual narrative on Julia de Burgos.

Her photography is known for combining documentary observation with a strong interest in memory, ritual and cultural survival.

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