Siren of the Deeps, 2022
Maria Daniel Balcazar  

Photography : archival pigment print · 60 x 42 x 0.1 cm 23.6 x 16.5 x 0 inch

€1,492 1 492 €

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Shipped from: United Kingdom

Delivery to: Italy , € 77

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : numbered and limited to 25 copies

3 copies available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Signed artwork

Dimensions ( cm • inch )

60 x 42 x 0.1 cm 23.6 x 16.5 x 0 inch Height x Width x Depth

Sold by

Credentials

Vetted seller since 2021

Description

A single fish floats in a void of absolute black. The composition is stark and centered. Fluid lines define the delicate fins. They ripple like silk in a silent current. This archival pigment print captures a moment of suspended grace. The monochromatic palette strips away distraction. It focuses the eye on texture and form. Light clings to the edges of the creature. It creates a ghostly glow against the darkness. This artwork transforms a biological subject into a symbol of solitude. The image evokes a sense of quiet persistence. It mirrors themes of resilience and survival. The high contrast emphasizes the fragile nature of the subject. Every fold of the fin is rendered with surgical precision. The depth of the black background suggests an infinite space. The fish appears as a solitary beacon of light. It drifts in a timeless state of equilibrium. This 2019 photograph balances documentary clarity with a poetic atmosphere. The result is a meditation on existence and stillness. The gaze is drawn to the subtle gradients of grey. These tones define the organic volume of the body.

Maria Daniel Balcazar, Siren of the Deeps
Bolivia

Presentation

Maria Daniel Balcazar is a Bolivian documentary and fine art photographer who specialises in long-term photographic essays about migration, cultural traditions and identity. Her projects often explore syncretism, resilience and the ways communities preserve and remake their heritage over time.

She studied fine arts in Bolivia and Sweden, and later worked in social communication, journalism and photography. Her work has been exhibited internationally in galleries, universities and museums across Latin America and the United States. 

She has published books including 'Kilombo' and 'Herederos del Alba'. Her projects include 'Custodios Invisibles' and 'Matices de Tu Mirada' a visual narrative on Julia de Burgos.

Her photography is known for combining documentary observation with a strong interest in memory, ritual and cultural survival.

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