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Den Haag – Nassaulaan – 01-05-24, Drawing, Pencil/Colored Pencil on Paper, 2024
Corné Akkers  

Fine Art Drawings : pencil · 14.7 x 10.4 x 0.3 cm 5.8 x 4.1 x 0.1 inch

€764 764 €
Delivered in time for Christmas
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Shipped from: Netherlands

Delivery to: Germany , € 54

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Fine Art Drawings : Unique artwork

Condition

Artwork sold in perfect condition, not framed

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Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

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Dimensions ( cm • inch )

14.7 x 10.4 x 0.3 cm 5.8 x 4.1 x 0.1 inch Height x Width x Depth

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Description

A little impressionism This graphite drawing 'The Hague – Nassaulaan – 01-05-24' is a bit impressionistic. For no particular reason, I always associate this season with impressionist paintings and drawings of landscapes. Go outside you say to yourself and sketch. Usually, during this time of year, I would have already done so. However, it has been raining quite heavily since the arrival of spring but it is improving all the time. The weather is starting to improve here in the Netherlands. Soon I will be back outside drawing in a camping chair somewhere. Nassaulaan Regarding the drawing in question, I have to disappoint you. It is not made at the exact location. There was that little exhibition 'Children of the School of The Hague' at Panorama Mesdag that I had intended to visit. It was a few weeks ago and it was a day when one could not decide whether to wear a coat or not. On the Mauritskade, I decided to make a small detour and turn right onto the Nassaulaan. There was that glass house with a small canal between two large residences. I took a photo and went to the exhibition. I always like these combinations of structures made by man and nature. It gives context and contrast. Not a certain style Lately, I do not have the cubist side as explained in my last one, titled 'Elongated Nude after Breitner – 27-04-24'. This made me realize that I have a few distinct styles that differ from each other. There is Roundism, my own vision of surrealism, and that typical impressionist style of hatching. Maybe even more. Not long ago, an art critic advised me to stick to a certain style. Personally, I think it is quite an American or commercial way of seeing things. He might be right on that point, but I feel different. What I certainly did not plan is to have an artistic career like many artists. Maybe it is also because I do not want to be labeled and categorized. What I always wanted was to have a certain meta-recognition in all my works. Do you think I succeed in doing that? Graphite drawing (Sakura mechanical pencil 0.5 mm, 4B) on Papicolor paper (10.5 x 14.8 x 0.1 cm) Artist: Cornè Akkers :: Drawing :: Impressionist :: This piece is accompanied by an official certificate of authenticity signed by the artist :: Ready to hang: No :: Signed: Yes :: Signature location: Lower left corner :: Paper: Portrait :: Original: Yes :: Framed: No

Landscape

figurative

Abstract art

Buildings

Realism

Trees

Nature

Black

Corné Akkers, Den Haag – Nassaulaan – 01-05-24, Drawing, Pencil/Colored Pencil on Paper

Corné Akkers

Netherlands  • 1969

Presentation

Corné Akkers was born in 1969 in Nijmegen, Netherlands. He grew up in a Bohemian environment, during the 70's. This ideal creative atmosphere inspired him and gave him the desire to paint. He trained in painting and drawing.

In his paintings, the artist explores the nude and portrait with several types of analysis and treatments, and doesn't lose sight on how light plays an important role. He combines the figurative style and the quest for abstraction, he plays around with colors and creates vast optical illusions. Not only is his work unique, his paintings shout out cubism but also surrealism and fauvism. They are so hypnotic that they are able to capture the look.

While working as a painter, Akkers also teach art at Voorburg in Netherlands. His paintings have been exhibited several times and sold to art collectors, all around the world.

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