The Altar of the Ñatitas, 2015
Photography : archival pigment print · 42 x 60 x 0.1 cm 16.5 x 23.6 x 0 inch
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Shipped from: United Kingdom
Delivery to: United States , $ 103
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Photography : numbered and limited to 25 copies
3 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
42 x 60 x 0.1 cm 16.5 x 23.6 x 0 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2021
Description
A poignant study of memory and ritual. This black and white archival pigment print captures a moment of silent devotion. A dark bag overflows with dried flora and offerings. It rests heavily against a textured wall. Below it, several white candles flicker on the rough pavement. Their melted wax pools on the gray stone. The composition evokes a sense of resilience and cultural survival. It transforms a mundane street corner into a sacred space. The high contrast emphasizes the tactile quality of the materials. Each candle serves as a beacon of abiding faith. The image explores the intersection of migration and identity through a documentary lens. It reflects the quiet strength of traditions preserved in exile. This artwork balances raw observation with an atmospheric depth. The gaze lingers on the fragility of the blossoms and the persistence of the flame. Every detail speaks to the enduring nature of human heritage.
Presentation
Maria Daniel Balcazar is a Bolivian documentary and fine art photographer who specialises in long-term photographic essays about migration, cultural traditions and identity. Her projects often explore syncretism, resilience and the ways communities preserve and remake their heritage over time.
She studied fine arts in Bolivia and Sweden, and later worked in social communication, journalism and photography. Her work has been exhibited internationally in galleries, universities and museums across Latin America and the United States.
She has published books including 'Kilombo' and 'Herederos del Alba'. Her projects include 'Custodios Invisibles' and 'Matices de Tu Mirada' a visual narrative on Julia de Burgos.
Her photography is known for combining documentary observation with a strong interest in memory, ritual and cultural survival.
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